Review | In the galleries: A filmmaker’s latest edition of souls on separate journeys

Review | In the galleries: A filmmaker’s latest edition of souls on separate journeys

A spiritual journey through bustling D.C., inspiration in the American Southwest, an artist’s enhanced surroundings and works by seven African American artists

By Mark Jenkins for The Washington Post
February 23, 2024

Many color-field abstractionists have rejected the notion that their pictures look like landscapes, but sometimes the resemblance is hard to deny. Most of the vivid canvases in Hemphill Artworks’ “Willem de Looper: Paintings 1972-1975” were made soon after the Dutch-born D.C. artist’s 1973 trip to the American Southwest. The large pictures sweep horizontally and are usually in the colors of stone, sand and clay. (There are also three heavily blue ones, at least one of which predates the excursion.) The paintings are not literal landscapes, but the inspiration is palpable.

Click here to read the full article.

29 Emerging Black Artists to Discover This Black History Month

29 Emerging Black Artists to Discover This Black History Month

by Isis Davis-Marks for Artsy
February 15, 2024

HEMPHILL is pleased to share Rush Baker IV's inclusion in 29 Emerging Black Artists to Discover This Black History Month by Isis Davis-Marks for Artsy.

Using acrylic, resin, and found photography, Rush Baker IV uses different materials to create images that reflect the chaotic and quick-changing nature of our current era. Baker draws from diverse source material, ranging from the novelist Octavia Butler’s Parable of the Sower to the abstract painter Sam Gilliam’s dynamic pieces, to create compelling commentary about the environment and current events.

Click here to learn more.

Art and the City: Colors and Crossroads

Art and the City: Colors and Crossroads

by Phil Hutinet for HillRag
February 13, 2023

In contrast to the exhibition “Willem de Looper: Paintings 1968 – 1972,” presented two years ago at HEMPHILL, “Paintings 1972 – 1975” marks a notable evolution in de Looper’s artistic approach. This transformation sets him apart from his Washington Color School peers, a group largely known for maintaining consistent painting methods throughout their careers.

In 1973, post initial acclaim, de Looper and his wife Frauke embarked on a cross-country journey across the United States. The expansive deserts and towering mountains of the American Southwest profoundly impacted the artist, proving a revelation for him as a DC resident who emigrated from Europe.

“Paintings 1972 – 1975,” stands as a distinct phase in the artist’s career or what the HEMPHILL calls “a second act,” affirming the artist’s enduring commitment to innovation and depth.

Click here to read more.

Tom Ashcraft: Du Quoditien | Eric Yake Kenagy Visiting Artist

Tom Ashcraft: Du Quoditien | Eric Yake Kenagy Visiting Artist

Hershberger Art Gallery at Goshen College
January 21, 2024 - March 14, 2024

HEMPHILL is pleased to share that artist, Tom Ashcraft is serving as the 2023-2024 Eric Yake Kenagy Visiting Artist at Goshen College in Goshen, IN. Ashcraft's collaborative exhibition, Du Quoditien is on view in the Hershberger Art Gallery at Goshen College through March 14, 2024. There will be an evening artist talk on March 12 at 7 pm in the Music Center’s Rieth Recital Hall on “Navigating a Public Practice,” followed by an exhibition reception. 

Click here to learn more.

Meet the Artist Tim Doud and view the commissioned work: "A Great Public Walk" at Amtrak Union Station

Meet the Artist Tim Doud and view the commissioned work: "A Great Public Walk" at Amtrak Union Station

Saturday, February 3, 2024
11am
Meet at Gate A

RSVP to gallery@hemphillartworks.com

The artwork commissioned for Union Station by the Art at Amtrak program, A Great Public Walk, considers the local, national and international spectrum of those who pass through the station, as well as the historical significance of Washington DC.

DC based artist Tim Doud took into consideration French engineer Pierre Charles L’Enfant's plan for our nation’s capital. The centerpiece of L’Enfant’s plan was a great “public walk” in the form of wide avenues, public squares and inspiring buildings. Doud took that template and then inserted cropped images of clothing patterns, logos and textiles that were worn by people he observed moving through Union Station and throughout the city.

Hedieh Javanshir Ilchi balances pattern with painterly abstraction

Hedieh Javanshir Ilchi balances pattern with painterly abstraction

By Kriston Capps, The Washington Post
December 13, 2023

Hedieh Javanshir Ilchi might be two painters.

One is the hand behind the gorgeous tazhib: intricate patterns of illumination borrowed from Islamic art forms. In her paintings, Ilchi designs floral and lattice motifs based on Persian crafts, drawing on her experience growing up in Tehran.

The other painter is experimental: an abstract-oriented artist looking at new ways to build up surfaces. This painter produces clouds and stains in a toxic palette, making bold textured works that look almost hazardous to the touch.

On Ilchi’s surfaces, violent abstraction and delicate illumination jockey for significance. Her perfectly hyphenated paintings take the form of surreal landscapes. The stars in her skies peek through arabesque ornamentation. The mountains on her horizons rise over luminous veils.

Click here to read the full review.

 

Zigzagging through Time to Craft the Illusion of Multitudes

Zigzagging through Time to Craft the Illusion of Multitudes

Echo Gone Wrong

November 13, 2023
Author Rosana Lukauskaitė
Published in Review from Lithuania

Meanwhile the exhibition ‘The Glow’, curated by Agnė Jonkutė and shown at the Pamėnkalnio galerija until November 4, delves into the essence of colour within minimalist art... Julie Wolfe’s Summary of Evidence transforms pages from William Matthews’ 1939 book Climate and Evolution into a visual study of change and endurance. By treating the pages with chlorophyll and subjecting them to sunlight, Wolfe creates a natural gradation of green hues, an artistic commentary perhaps on the interplay between knowledge and the inexorable forces of nature.

Click here to read the full article.

Ongoing: We are forever folding into the night at HEMPHILL

Ongoing: We are forever folding into the night at HEMPHILL

Anupma Sahay for the Washington CityPaper

November 16th, 2023

Artist Hedieh Javanshir Ilchi investigates invasion and equilibrium, weaving harmony through tension, nature in celestial experiences, and dreams into reality in her newest exhibition on display at HEMPHILL. Ilchi’s paintings merge seemingly contrasting spaces as a commentary on sociopolitical landscapes, drawing inspiration from her own Iranian American heritage.

Click here to read the full article.

In the galleries: A two-artist show captures undulating images

In the galleries: A two-artist show captures undulating images

Mark Jenkins for The Washington Post

November 10, 2023

Massive curving forms, abstract but suggestive of nature, link the styles of sculptor Rachel Rotenberg and painter Steven Cushner. The concurrent surveys of the two veteran artists’ work at the American University Museum at the Katzen Arts Center are extensive, but not career spanning. Both exhibitions focus on pieces made in the past few years.

Click here to read the full article.

11 Art Shows to See in Washington, DC, This Fall

11 Art Shows to See in Washington, DC, This Fall

By Murat Cem Mengüç, Hyperallergic
October 10, 2023

The last retrospective of Jacob Kainen’s work took place in 1993, during which he was interviewed by the Washington Post and referred to himself as a “fatalist.” He expressed indifference towards the prospect of dying as a relatively unknown painter, despite leaving behind a substantial body of work that many knew of. In that same interview, he predicted that his work would be discovered in the 2020s. Hemphill Artworks, which represents Kainen’s estate, periodically showcases his work in solo exhibitions, contributing to the realization of that prediction...The exhibition primarily features his large abstract paintings from the 1970s and 1980s, in addition to a few smaller pieces from the 1950s.

Click here to read the full review.

In the galleries: Abstract works reflect artist’s years of progression

In the galleries: Abstract works reflect artist’s years of progression

By Mark Jenkins, The Washington Post
October 13, 2023

The Jacob Kainen paintings now on view at Hemphill Artworks date from 1952 to 1988, yet altogether skip the 1960s. The Washington artist (1909-2001) is known as an abstractionist, but he devoted much of that decade to representational work. Only hints of that interest are visible in this selection, which consists principally of 1980s color-field paintings. Their forms can be either loose or precisely geometric, but their colors are always softly layered and seemingly weathered.

Click here to read the full review.

 

Art and the City: New, Retrospective and 11 Go Solo

Art and the City: New, Retrospective and 11 Go Solo

By Phil Hutinet, HillRag
October 3, 2023

The exhibition [at Hemphill] commences with a selection of paintings from 1951 and 1953, accompanied by a series of paintings on paper that illuminate the rapid evolution of Kainen’s innovative abstract style. Notably the masterpiece “Mr. Kafka” (1970) draws its creative impulse from suspended clothing, crafting a compelling representation of the human form. This composition became a recurring motif, revisited by Kainen in various sketches and etchings. Throughout the ensuing decades, particularly the 1970s and 1980s, Kainen navigated between periods of lyrical and geometric abstraction, employing meticulous layering techniques to craft compositions that evoke ethereal, floating elements.

Click here to read the full review.

Print Viewing: Editioned Works by Jacob Kainen

Print Viewing: Editioned Works by Jacob Kainen

October 28, 2023 | 11 am - 4 pm

Join us on Saturday, October 28th on the final day of the exhibition Jacob Kainen for a first-hand look at selections of prints spanning Kainen’s career. Prints from the 1940s to the 1990s will be presented in the gallery space in the midst of the exhibition. Enjoy the exuberance of Kainen’s etchings, lithographs, woodcuts, and silkscreens.

 

(Not) Strictly Painting 14

(Not) Strictly Painting 14

McLean Project for the Arts

September 14 - November 11, 2023

HEMPHILL is pleased to share Gallery Associate, Nicole Maloof's inclusion in (Not) Strictly Painting 14 at McLean Project for the Arts on view through November 11, 2023.

(Not) Strictly Painting is a juried biennial exhibition celebrating the depth and breadth of paintings–or works related in some way to painting–from artists throughout the mid-Atlantic area. Now in its 14th iteration, Strictly Painting is one of the region’s most important painting exhibitions. (Not) Strictly Painting will be juried by Tim Brown, Director of IA&A at Hillyer.

Click here to learn more.

The Oracle Said, "Be Still"

The Oracle Said, "Be Still"

IA&A at Hillyer

October 7 – October 29, 2023

HEMPHILL is pleased to share The Oracle Said, "Be Still," curated by artist Renée Stout at IA&A at Hillyer, on view through October 29, 2023.

During the height of Covid, I created a print that featured a disembodied head (the ‘oracle’), in which it suggested in a speech bubble that we should ‘be still.’ In that stillness I had hoped that we would all take the time to care for ourselves, reassess our lives and re-focus on the things that are most important...

~ Renée Stout

Featured Artists: Cheryl Edwards, Sharon Farmer, Cianne Fragione, Adrienne Gaither, Elaine Qiu, Ellyn Weiss, Joyce Wellman, Trevor Young

Click here to learn more.

Tanya Marcuse: Laws of Nature

Tanya Marcuse: Laws of Nature

Denver Botanic Gardens

November 19, 2023 - March 31, 2024

HEMPHILL is pleased to share the exhibition, Tanya Marcuse: Laws of Nature at the Denver Botanic Gardens, on view from November 19, 2023 through March 31, 2024.

Tanya Marcuse’s large-scale photographs evoke awe and wonder for the natural world.

Click here to learn more.

Visiting Artists Series: Steven Cushner in conversation with Stan Klein

Visiting Artists Series: Steven Cushner in conversation with Stan Klein

Tuesday, November 14, 2023

American University's Studio Art MFA program presents an artist talk with Steven Cushner in Katzen 201

Steven and Stan are childhood friends. They studied art together as high school students and went off to art school. Steven has lived in Washington DC for 45 years. After earning his MFA, Steven spent 10 years as an art handler, then began a long teaching career. He has lived and worked in the same house and studio for close to 40 years. Stan has worked as a framer, museum exhibition specialist, studio assistant, gallery owner, and usher at Wrigley Field. Between them, they have 90 years of living and working experience in the art world and have many stories to share.

Presented in conjunction with CUSHNER on view at the American University Museum at the Katzen Arts Center through December 10.

Click here to reserve your spot.

LACONICA: THE GLOW

LACONICA: THE GLOW

Pamėnkalnio Galerija, Lithuania

October 6 - November 4, 2023

HEMPHILL is pleased to share Julie Wolfe's inclusion in LACONICA: THE GLOW at Pamėnkalnio Galerija in Lithuania. The exhibition was curated by Agnė Jonkutė and is on view from October 6 - November 4, 2023.

The idea for the exhibition came from a rethinking of the strict black/white monochrome of the 2021 Laconica Biennial exhibitions, which led to the contrasting choice to reflect on the meaning of colourfulness in the language of minimalist art...

The Glow is one of the events of the Laconica biennial of visual art. The Biennial was conceived as a space and a platform for artists who develop minimal/minimalist ways of thinking, using such keywords as reduction of form, reserved narrative, abstractness, aesthetics of silence, etc. The events of the 2021 Laconica Biennial were interested in the links between monochrome and minimalist poetry. This year's exhibitions focus on the field of phenomena of colour and olfactory (scents) art.

STEVEN CUSHNER & DAVID JAMESON

STEVEN CUSHNER & DAVID JAMESON

Gallery Talk at the American University Museum at the Katzen Arts Center

October 7, 2023
2 - 3 pm

Is it the fight of the century, a marriage of convenience, or the complete happiness package? The relationship between architecture and art, or better said, the conflict that can arise between the ambitions of the artist and those of the architect, can work to create a sublime or less than excellent experience. We've all seen it go wrong — "Oh look, the pillows on the sofa match the curtains," and felt embarrassed. Join us for a conversation between two creators at the height of their careers as they speak on integrating art and architecture...

Click here reserve your spot.

This talk coincides with the exhibition, CUSHNER, on view at the American University Museum at the Katzen Arts Center through December 10, 2023.

 

MVT Photo Walk

MVT Photo Walk

Thursday, September 7, 2023 | 6 - 7:30 pm

Mount Vernon CID is proud to partner with Exposed DC to curate a photo exhibit with four local photographers titled, "24 Hours of #LifeInMVT". Get the first look at the new MVT Photo Walk on Thursday, September 7 and hear directly from the photographers about their work and process. 

Attendees are encouraged to gather at HEMPHILL Artworks prior to the tour to take a look at their current exhibits and enjoy complimentary iced tea and lemonade before heading outside to tour the photo walk. 

The MVT Photo Walk was made possible through the Office of Planning Streets for People Grant Program.

Click here to register for the opening reception.

Click here to learn more. 

Art at Amtrak | Tim Doud

Art at Amtrak | Tim Doud

September 2023

Art at Amtrak Program to Debut at Washington Union Station in September
August 16, 2023

New initiative commissions regional artists to create large-scale artwork

WASHINGTON – Amtrak is expanding its celebrated year-round, public-art program to Washington Union Station with work from multidisciplinary visual artist, Tim Doud. Art at Amtrak will offer a variety of visual works through rotating exhibitions at the transportation hub.

Doud, a District resident and professor at American University, will create the first site-specific installation titled, “A Great Public Walk,” to transform the wall along the station’s customer waiting areas between Gates A and L, and on the 30 windows in the hallway leading to the lower-level section of station. More information on Doud can be found here.

The art installation will open in September and remain on display until winter 2024. Art at Amtrak is among several near-term projects underway at Washington Union Station...

More information about Art at Amtrak can be found here.

Click here to read Amtrak's press release.

In the galleries: Exhibit radiates with force, color and drama

In the galleries: Exhibit radiates with force, color and drama

By Mark Jenkins, The Washington Post

August 11, 2023

Hemphill Artworks organized a summer group show titled “Jump, Twist, Flow … ” The selection features some of the gallery’s current artists, but most of the highlights are by painters and sculptors, primarily local, who emerged in the 1950s or ’60s.

All but one of the pieces hang on a wall, but many of them curve forcefully away from that surface. The show begins with a Hedieh Javanshir Ilchi triptych that contrasts mosaic-like patterns with watery areas. Equally aquatic, yet fully abstract, is Willem de Looper’s “Trough Blues,” which glows as if sunlight is penetrating its azure currents.

Click here to read the full review.

Jump, Twist, Flow... closes at HEMPHILL this Saturday, August 19, 2023.

Scientific Illustration: Sampling Across the Collections

Scientific Illustration: Sampling Across the Collections

Georgetown University Library

Special Collections Gallery, Charles Marvin Fairchild Memorial Gallery
July 17 - October 13, 2023

HEMPHILL is pleased to share Julie Wolfe's inclusion in Scientific Illustration: Sampling Across the Collections at the Special Collections Gallery in the Georgetown University Library.

This exhibition brings together some of the most magnificent examples of scientific illustration in the Booth Family Center for Special Collections, as well as some of the more curious and most speculative. Works of art, influenced by and influencing the sciences, share space with the illustrations throughout the exhibition.

Click here to learn more.

Here Now: Contemporary Photographers of the Hudson Valley

Here Now: Contemporary Photographers of the Hudson Valley

Woodstock Byrdcliffe Guild

August 12 - September 24, 2023

HEMPHILL is pleased to share Tanya Marcuse's inclusion in Here Now: Contemporary Photographers of the Hudson Valley at the Woodstock Byrdcliffe Guild. The exhibition is on view through September 24, 2023.

An exhibition of acclaimed Hudson Valley photo-based contemporary artists who each employ various approaches and techniques to relay stories — primarily of differing cultural backgrounds, identity issues, and a relationship to nature. Their works vary in terms of aesthetics — ranging from highly refined formalism, to capturing candid moments of current societal mores. The collective works present a compelling and insightful reflection into this present moment.

Click here to learn more.

CUSHNER

CUSHNER

Steven Cushner: Paintings & Works on Paper

American University Museum at the Katzen Arts Center
September 9 - December 10, 2023

CUSHNER refers to and builds upon a solidly stylistic through-line from Steven Cushner’s past work to present work. More importantly, through the conscious manipulation of an array of subtlety, color choices and scale, Cushner pulls new experiences from his established style of painting. This is not a retrospective of the artist’s forty-plus year career; it’s a selection of what is happening in his studio today. The pieces range from small scale works on paper and wood cut prints to large scale paintings. The exhibition presents a mature artist at a powerful moment in his career. 

AU Museum partnered with HEMPHILL Artworks to develop this showing of Cushner’s more recent works in one of the largest exhibitions of his work to date. CUSHNER will give viewers a rare chance to view some of the artist’s monumental paintings up close.

Click here to learn more. 

The Performative Self Portrait

The Performative Self Portrait

Rhode Island School of Design Museum

May 13 - November 12, 2023

HEMPHILL is pleased to share the inclusion of Renée Stout's, Red Room at Five (A), in The Performative Self Portrait at the RISD Museum in Providence, RI.

This exhibition explores the work of photographers who turn the camera back upon themselves. From capturing themselves in shadows and reflections to trying on alternative or speculative identities, The Performative Self-Portrait explores the body as material and medium and photography as vehicle to consider ways artists use self-portraiture to enact the self, question history, and articulate identity. Made between 1930 and the present, works in the exhibition range from new acquisitions to older works on view for the first time.

Click here to learn more.

SHOW & TELL | Volume 2 Issue Launch

SHOW & TELL | Volume 2 Issue Launch

Thursday, July 27, 2023

5 - 7 PM

Open to the public

Please join us in the gallery for the launch of Show & Tell Volume 2. Meet the creators and the artists featured in this issue.

Mary Early
Howie Lee Weiss
Akemi Maegawa
Kyrae Dawaun
Thomas Bunnell
Collectors Philip Barlow and Lisa Gilotty

studio visits, conversation, photo shoots, and fun

Published by

Steven Cushner and Dan Treado

Washington Citypaper | Anne Rowland at Hemphill Artworks

Washington Citypaper | Anne Rowland at Hemphill Artworks

By Louis Jacobson
June 22, 2023

Anne Rowland works from Northern Virginia, but her latest creations span the globe, thanks to the explosion of satellite and aerial images available to those who wish to look. Rowland uses these as grist for works as large as 74 inches x 56 inches, first putting the raw images through an almost literal blender of Photoshop-type software. The resulting works look different up close and afar; seen from inches away, details like stands of trees, suburban housing developments, and even location tags are visible, but from a distance, they offer a patchwork of circular forms.

Pete Voelker | Time Elapsed Time Remaining Book Event

Pete Voelker | Time Elapsed Time Remaining Book Event

June 29 | 6 pm

Please join us in the gallery for a Book Event with Pete Voelker to celebrate his project, Time Elapsed Time Remaining.

Time Elapsed Time Remaining is a Limited Edition book featuring photographs taken by the artist over the course of multiple trips to the border of EU and Russia.

Julie Wolfe Apophenia Book Signing

Julie Wolfe Apophenia Book Signing

June 15, 2023 | 6 pm

Please join us in the gallery for a Book Signing Event to celebrate Julie Wolfe's newest launch, Apophenia.

The forthcomimg book, Apophenia taps into the optical unconscious to reveal something essential about perception.
Through juxtaposing images across the pages, patterns emerge through free association, unleashing apophenia—the process by which humans make meaning out of incidental images.

There will be a limited number of books available for purchase at the event on June 15, 2023.

Checkin' Out Mingering Mike: D.C.'s Imaginary Soul Superstar

Checkin' Out Mingering Mike: D.C.'s Imaginary Soul Superstar

Martin Luther King Jr. Memorial Library, Floor 1, Great Hall West

June 7 - August 28, 2023

Presented in collaboration with Hemphill Artworks, Checkin' Out Mingering Mike: D.C.'s Imaginary Soul Superstar features hand-drawn album covers, drawings, and song lyrics by self-taught Washington, D.C. artist known only by his alter-ego, Mingering Mike. On view at the Martin Luther King Jr. Memorial Library are fine art prints of thirteen albums, all originally drawn between 1968 and 1975, as well as a selection of original albums and handmade cabaret posters.

Click here to learn more about the exhibition.

Wayson R. Jones Artist Popup Talk

Wayson R. Jones Artist Popup Talk

June 1 | 6 PM

A Conversation with Wayson R. Jones & Client Raiser at HEMPHILL Artworks.

Join us in the gallery for a discussion with artist Wayson R. Jones about the evolution of his art practice and a viewing of select paintings in the Viewing Room.

Click here to RSVP.

Anne Rowland Popup Talk

Anne Rowland Popup Talk

May 25, 2023 | 6 pm

Open to the public

Join us at HEMPHILL for an informal gallery tour with artist, Anne Rowland to discuss her current exhibition, Pictures.

Exhibition on view May 20 - July 1, 2023

Enslaved Washington, 1970-2023 | Saturday, May 27, 2 - 3:30 pm

Enslaved Washington, 1970-2023 | Saturday, May 27, 2 - 3:30 pm

A Walking Tour of the Mount Vernon Triangle Neighborhood with Ed Ingebretsen, PhD.

Presented by HEMPHILL Artworks & Washington, DC History & Culture

Meet at HEMPHILL 434 K Street NW, the tour will depart promptly at 2:15 pm and proceed East on K Street.

Cultures are structures. Materials. Words. Actions. Habits. Cultures absorb memory as stones absorb heat. Cultures have a gravitational weight, and history casts shadows. We walk in patterned light and dark.

Edward Ingebretsen holds advanced degrees in theology, philosophy, and education, and a PhD from Duke University in American literature and culture. He teaches philosophy, and ethics, and focuses particularly on animal justice issues. He has lived in DC since he began teaching at Georgetown University in 1986.

Click here to register.


 

Women Reframe American Landscape

Women Reframe American Landscape

Susie Barstow & Her Circle / Contemporary Practices

The Thomas Cole National Historic Site, Catskill, NY
May 6 - October 29, 2023

HEMPHILL is pleased to share Tanya Marcuse's Inclusion in Women Reframe American Landscape: Susie Barstoe & Her Circle / Contemporary Practices at The Thomas Cole National Historic Site in Catskill, NY.

Women Reframe American Landscape: Susie Barstow & Her Circle/ Contemporary Practices is a two-part exhibition and accompanying publication illuminating the artistic contributions and perspectives of women. The project will reinsert the accomplished 19th-century American artist Susie Barstow (1836-1923) into the history of the Hudson River School of landscape painting and present work by contemporary artists who expand and challenge how we think about “land” and “landscape” today.

Click here to learn more.

Julie Wolfe: Apophenia

Julie Wolfe: Apophenia

At Printed Matter Chelsea

May 25, 2023
6 - 8 PM

HEMPHILL is pleased to share the launch of Julie Wolfe's newest book, Apophenia. Printed Matter, Chelsea will hold an event on May 25, 2023 from 6 - 8 pm to celebrate the launch.

Join us for the launch of Julie Wolfe’s Apophenia at Printed Matter Chelsea. Wolfe’s book taps into the optical unconscious to reveal something essential about perception. Through juxtaposing images across the pages, patterns emerge through free association, unleashing apophenia—the process by which humans make meaning out of incidental images.

Click here to learn more.

Rising Sun: Artists in an Uncertain America

Rising Sun: Artists in an Uncertain America

The African American Museum in Philadelphia

March 23, 2023 - October 8, 2023

HEMPHILL is pleased to share Renée Stout's inclusion in Rising Sun: Artists in an Uncertain America at The African American Museum in Philadelphia on view through October 8, 2023.

The African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts have invited 20 artists to join in a bold collaboration and create new works that respond to the critical question: Is the sun rising or setting on the experiment of American democracy?

Click here to learn more.

The Curatorial Imagination of Walter Hopps

The Curatorial Imagination of Walter Hopps

The Menil Collection

Mar 24 – Aug 13, 2023
Main Building

HEMPHILL is pleased to share the inclusion of William Christenberry's, Fruit Stand Sidewalk, Memphis, Tennessee, 1962, in The Curatorial Imagination of Walter Hoppson view at The Menil Collection through August 13, 2023.

Click here to learn more.

Culture Type | In Memoriam: Lou Stovall

Culture Type | In Memoriam: Lou Stovall

Artists, Curators and Friends Reflect on Life and Work of Master Printer Lou Stovall: An 'Outstanding Fine Artist' and 'Heartbeat of Washington, D.C., Art Scene'
Victoria L. Valentine for Culture Type
April 7, 2023

Please click here to read the full article.

 

In the Galleries: Ruri Yi

In the Galleries: Ruri Yi

Mark Jenkins for The Washington Post

February 17, 2023

The capsule-shaped forms in Ruri Yi’s hard-edge abstractions are arranged so methodically that the occasional deviation can appear dramatic — or comic. In her Hemphill Artworks show, the Korea-born Baltimore artist stacks or lines up identically shaped tablets of various flat, bright colors on white backgrounds with machine-like precision.

What if Hale County, Ala., Is the Heart of America?

What if Hale County, Ala., Is the Heart of America?

Margaret Renkl for The New York Times

February 20, 2023

NASHVILLE — Like nearly all the hurry-past places in this vast country, the Alabama most people experience is only what can be glimpsed from the window of a car on the way to somewhere else. Hale County is a little different. For nearly 90 years, this county in the Alabama Black Belt has been chronicled in the work of some of this country’s most celebrated artists.

“Desire Paths: William Christenberry & RaMell Ross” brings together two of them in an exhibition at Pace Gallery in New York City through Saturday. Mr. Ross, an interdisciplinary artist, moved to Hale County in 2009. His transcendent 2018 documentary film, “Hale County This Morning, This Evening,” was nominated for an Academy Award. He counts Mr. Christenberry as a major influence.

Mr. Christenberry, who grew up in Alabama and died in 2016, felt the same way about the photographer Walker Evans and the writer James Agee. Their staggeringly original book “Let Us Now Praise Famous Men” emerged from a three-week visit to Hale County in 1936.

Click here to read more.

The Barlow Gilotty Collection

The Barlow Gilotty Collection

American University Museum

February 4 - May 21, 2023

HEMPHILL is pleased to share the exhibition, The Barlow Gilotty Collection at the American University Museum, on view February 4, 2023 through May 21, 2023. Please find more information below.

Barlow and Gilotty celebrate the connection between collector and artist and community. This is a deeply considered collection that includes data points which highlight its organization and thoughtful structure. Their dedicated support of local artists is reflected in their deliberate inclusion of younger and diverse artists, which has resulted in an important overview during this time period in our cultural history. The breadth of their enthusiasm and love of art in its many forms celebrates our artistic community.

Click here to learn more.

Celebrating Carolyn Alper

Celebrating Carolyn Alper

The Phillips Collection

On view through March 19, 2023

Carolyn Small Alper (1927 - 2020) served as a trustee of The Phillips Collection from 2009-2020. She contributed her insights and experience as an artist and interior designer through her participation as a member of the Arts Committee. Carolyn studied art history and painting under the guidance of Washington Color School artists Morris Louis and Gene Davis. In 1971, Carolyn founded and supported the Alper Initiative for Washington Art at American University.

Carolyn was an astute art collector and a generous philanthropist, supporting the Phillips' Centennial Campaign with a major endowment gift establishing the Carolyn Alper Fund for Contemporary Art.

This gallery presents a selection of works Carolyn gifted and bequeathed to the museum over the past decade.

Please visit The Phillips Collection before March 19, 2023 to see Celebrating Carolyn Alper.

Joseph Shetler: In Consideration

Joseph Shetler: In Consideration

The Silva Gallery x Latela Curatorial

February 20 - June 11, 2023

HEMPHILL is pleased to share Joseph Shetler's solo exhibition at The Silva Gallery with Latela Curatorial, In Consideration. The exhibition is on view from February 20 - June 11, 2023.

Primarily recognized for his monochromatic drawings and paintings, Joe Shetler introduces color in a new body of work for In Consideration. Shetler’s signature linework, delicate and precise in its formulation of abstract planes and grids, seemed to simultaneously float above and ground into its canvases. Introducing color as a participative subject in his work, Shetler presents a stark contrast between the color-filled backgrounds and white surfaces allocated for linework. The color fields are strong and attention-calling, yet they seem to elevate the drawing surface of each painting. Which field is more present? Or, can we consider how they exist together?

Click here to learn more.

The Collaborative | INTERLUDE

The Collaborative | INTERLUDE

The Kreeger Museum

February 11 - March 25, 2023

HEMPHILL is pleased to share Tim Doud's inclusion in INTERLUDE at The Kreeger Museum on view through March 25, 2023.

INTERLUDE features fifteen artists of the STABLE studios - Nancy Daly, Leigh Davis, Rex Delafkaran, Tim Doud, Adrienne Gaither, Aziza Gibson-Hunter, K. Lorraine Graham, Jean Kim, Leah Lewis, Matthew Mann, Katherine Tzu-Lan Mann, Gail Shaw-Clemons, Molly Springfield, Andy Yoder, and Ying Zhu. These artists meet through their approaches and applications to mirror, respond to, and complement each other. This interlude is the moment in-between collective past and future and the present moment of the artist's practice. Working across mediums, the artists present new work and previously created work to be in conversation with the museum's permanent collection. This exhibition is presented under The Collaborative, a program developed by The Kreeger Museum in 2021 to support Washington-area artists.

The exhibition was curated by Maleke Glee.

Click here to learn more.

WETA Arts February 2023: Alma Thomas

WETA Arts February 2023: Alma Thomas

In this month’s special edition of WETA Arts, host Felicia Curry presents the story of an extraordinary D.C. artist, Alma Thomas (1891-1978).

WETA Arts celebrates Black History Month with a special episode about Alma Thomas, the remarkable Black artist and educator who helped shape the Washington, D.C. arts scene in the 20th century. Thomas’ art provided her nationwide acclaim. Yet even as her national recognition continues, it’s in her hometown where her impact as an educator, pioneer, advocate and role model can be felt daily.

Click here to learn more.

1977 Inaugural Impressions Portfolio

1977 Inaugural Impressions Portfolio

Five top American artists were commissioned to capture their impressions of President Jimmy Carter's inauguration January 20, 1977.

The 1977 Presidential Inaugural Committee commissioned Jacob Lawrence, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and Jamie Wyeth to capture the event for a boxed portfolio of signed prints which were limited to an edition of 100.

The committee used the proceeds to keep museums open later and to help pay for many free cultural events in Washington during the inaugural festival, January 18-22, 1977.

Click here to inquire.

In Hale County, Alabama, Two Visions of Place

In Hale County, Alabama, Two Visions of Place

The New York Times

By Siddhartha Mitter
January 12, 2023

[Hale County] is where William Christenberry, who grew up in nearby Tuscaloosa with roots in the county, returned each summer for four decades, beginning in the 1960s, making quiet images of desolate buildings in landscape that have become photography canon.

RaMell Ross is Hale County’s latest visual chronicler and, as he puts it, “liberated documentarian.” He moved to Greensboro, Ala., in 2009 and lived there continuously for three years, teaching in a G.E.D. program, coaching basketball and photographing. Though now a professor at Brown University, he has made the county a long-term home and the fulcrum of his art projects.

Click here to read more.

 

Book Signing & Print Viewing: Photoscapes And The Egg by Patricia Z. Smith

Book Signing & Print Viewing: Photoscapes And The Egg by Patricia Z. Smith

Saturday, January 28, 2023 | 3 - 5pm

Join us on Saturday, January 28, 2023 | 3-5pm to meet Patricia Z. Smith and view prints from her recent publication:

Photoscapes And The Egg

Published 2022

104 pages, 86 color plates, Hardbound cloth cover, 7.7” x 9.25”

RSVP to gallery@hemphillartworks.com

Order on Goff Books

Artsy Viewing Room

OTHO D. BRANSON: Paintings & TIM DOUD: Prolepsis Reviewed in The Washington Post

OTHO D. BRANSON: Paintings & TIM DOUD: Prolepsis Reviewed in The Washington Post

12/18/22

Current exhibitions, OTHO D. BRANSON: Paintings and TIM DOUD: Prolepsis, are reviewed by Mark Jenkins in The Washington Post SUNDAY ARTS section on December 18, 2022.

THE FANTASTICAL WORLD OF MINGERING MIKE IN MESSY NESSY

THE FANTASTICAL WORLD OF MINGERING MIKE IN MESSY NESSY

Mingering Mike was recently featured in an article written by Liam Ward for Messy Nessy that details the artist's "legendary" catalogue of handmade record covers.

Announcing HEMPHILL's Representation of Ruri Yi

Announcing HEMPHILL's Representation of Ruri Yi

HEMPHILL is pleased to announce its representation of Ruri Yi.

ART TALKS: A Conversation with Tim Doud & Milena Kalinovska

ART TALKS: A Conversation with Tim Doud & Milena Kalinovska

Wednesday, December 7, 2022 | 6:30pm

Join us in the gallery for a conversation between artist Tim Doud and curator Milena Kalinovska on the occasion of Doud's Exhibition "Prolepsis," on view November 14 - December 23, 2022.

 

Seating is limited and reservations are required.

Arlington's Potomac Waterfront by Anne Rowland

Arlington's Potomac Waterfront by Anne Rowland

Saturday, December 03, 2022 - Wednesday, January 11, 2023

In the spring of 2017, Anne Rowland documented Arlington’s waterfront beginning with the County line at Chain Bridge all the way to Four Mile Run. Comprised of multiple images digitally assembled from both an iPhone and a remotely-triggered point-and-shoot camera attached to a 20-foot-tall bamboo pole, Rowland’s photographs capture the diversity of Arlington’s Potomac River waterfront from bucolic forests to urban parks. The boundary defined by the Potomac is part of Arlington’s network of public spaces and a future potential focus area for public art. View North from Chain Bridge was acquired by Arlington Public Art’s Portable Works Collection and can be viewed in the County Board Room at the Bozman Government Center, 2100 Clarendon Boulevard. 

SHOW and TELL Published by Artists Steven Cushner and Dan Treado

SHOW and TELL Published by Artists Steven Cushner and Dan Treado

HEMPHILL is pleased to announce that a limited number of the inaugural issue of SHOW and TELL are available for purchase in the gallery.

Published by artists Steven Cushner and Dan Treado, SHOW and TELL is a zine that details artists, artists's studios, and the spaces where creative people make work. Issue No. 1 features artists Rush Baker IV, Robin Rose, Kate Samworth, Robert Yi, and Heide Trepanier.

Colby Caldwell featured in Art of The State: Celebrating The Visual Art of North Carolina By Liza Roberts

Colby Caldwell featured in Art of The State: Celebrating The Visual Art of North Carolina By Liza Roberts

This beautiful and informative volume illustrates the vitality and importance of North Carolina's contemporary art scene, showcasing the creation, collection, and celebration of art in all its richness and diversity. Featuring profiles of individual artists, compelling interviews, and beautiful full-color photography, this book tells the story of the state's evolution through the lens of its art world and some of its most compelling figures.

JULIE WOLFE: Opposing Forces Reviewed in The Washington Post

JULIE WOLFE: Opposing Forces Reviewed in The Washington Post

Current exhibition, JULIE WOLFE: Opposing Forces, is reviewed by Mark Jenkins in The Washington Post SUNDAY ARTS section on October 16, 2022.

An Evening with Steven Cushner at Art Enables

An Evening with Steven Cushner at Art Enables

Thursday, November 17, 6pm

10/13/2022

Special Event & Fundraiser with artist Steven Cushner at
Art Enables
2204 Rhode Island Avenue NW
Washington DC 20018

More Info / Purchase Tickets

ART TALKS: A Conversation with Julie Wolfe & Tim Doud

ART TALKS: A Conversation with Julie Wolfe & Tim Doud

Saturday, October 29, 2022, 10am

Join us in the gallery for a conversation between artists Julie Wolfe and Tim Doud on the occasion of Wolfe's Exhibition "Opposing Forces," on view September 10 - October 29, 2022. Wolfe and Doud will walk visitors through the gallery to discuss the conception of Wolfe's newest body of work and the sequencing of the artworks in this exhibition.

Doors will open at 10am and the program will begin promptly at 10:15. Please note there will be no seating provided, the speakers will move throughout the gallery during the talk. Attendance is limited and reservations are required.

Since 1998, the ART TALKS series at Hemphill has included educational lectures on topics such as collecting for beginners, artist talks, and panel discussions on issues in contemporary art.

This event is Sold Out - Register for the waiting list

Announcing HEMPHILL's Representation of Tim Doud

Announcing HEMPHILL's Representation of Tim Doud

HEMPHILL is pleased to announce its representation of Tim Doud.

HEDIEH JAVANSHIR ILCH MUSEUM ACQUISITION

HEDIEH JAVANSHIR ILCH MUSEUM ACQUISITION

THE PHILLIPS COLLECTION

Through its Contemporaries Acquisition Fund, The Phillips Collection in Washington, DC recently acquired an artwork by Hedieh Javanshir Ilchi. This mixed media artwork incorporates ornamentations of Tazhib and abstract floods of color, fusing both Western and Persian art traditions. Plan a visit to experience the artist's newest work in person.

 

William Christenberry Studio Tours

William Christenberry Studio Tours

Saturday, October 8, 2022, and Saturday, October 15, 2022 from 1:30-2:30PM

Local non-profit, District Bridges Cleveland Park is hosting a fundrasing event featuring a chance to win the rare opportunity for a guided tour of Bill Christenberry’s Cleveland Park studio.

ROBERT NOVEL PAINTINGS Reviewed in The Washington Post

ROBERT NOVEL PAINTINGS Reviewed in The Washington Post

by Mark Jenkins

The Washington Post Sunday Arts, Gallery Reviews
August 7, 2022

The paintings in the Robert Novel retrospective at Hemphill Artworks are austere and geometric, yet also playful. Nearly all the untitled abstracts are black and white, but they’re in multiple shades of those hues, and occasionally include planks of gray. And though the forms are simple, straightedge and mostly quadrilateral, they’re handled in ways that hint at 3D perspective. The paintings were made between 2015 and 2020 by Novel, a longtime Washingtonian who died in 2021.

PUT IT THIS WAY: (RE)VISIONS OF THE HIRSHHORN COLLECTION

PUT IT THIS WAY: (RE)VISIONS OF THE HIRSHHORN COLLECTION

HIRSHHORN MUSEUM AND SCULPTURE GARDEN

August 2, 2022 - Fall 2023

This exhibition unites almost a century of work by 49 women and nonbinary artists in a range of media drawn exclusively from the Hirshhorn’s permanent collection. Washington, DC artists Alma Thomas and Anne Truitt are among the diverse group being exhibited, some for the first time, in this full floor presentation.

ART TALK Julie Wolfe | Artist Books & Folios

ART TALK Julie Wolfe | Artist Books & Folios

Saturday, July 23, 2022, 11AM

Join us in the gallery to view and discuss Julie Wolfe's recent limited edition artist books and folios incorporating silkscreen, digital printing and collage. Recent publications include Cradling the Singing Bird (2022), Wonderland: The Optical Unconscious (2022), Completing the Bestiary (2022), Travelogue (2021), and Wildfires & Dreamfields (2020).

Sam Giliam, Abstract Artist of Draped Paintings, Dies at 88

Sam Giliam, Abstract Artist of Draped Paintings, Dies at 88

June 27, 2022

Roberta Smith for The New York Times

Sam Gilliam, a pioneering abstract painter best known for his lusciously stained Drape paintings, which took his medium more fully into three-dimensions than any other artist of his generation, died on Saturday at his home in Washington. He was 88.

Click here for the full obituary.

Sam Gilliam, abstract artist who went beyond the frame, dies at 88

Sam Gilliam, abstract artist who went beyond the frame, dies at 88

June 27, 2022

Michael O'Sullivan for The Washington Post

Sam Gilliam, a Washington artist who helped redefine abstract painting by liberating canvas from its traditional framework and shaking it loose in lavish, paint-spattered folds cascading from ceilings, stairwells and other architectural elements, died June 25 at his home in the District. He was 88.

Click here for the full obituary.

Video Recording: Now, What is Photography?

Video Recording: Now, What is Photography?

ART TALK with Colby Caldwell, Vesna Pavlović and Lucian Perkins

"Now, What is Photography?" a panel discussion conducted on June 8, 2022, brought together three viewpoints from the art world, journalism, and academia. The participants addressed the subtle and dramatic changes in photography brought about by digital technology and social media. The panelists included Vesna Pavlović, a fine art photographer, educator, and recipient of the Fulbright Scholar Award; Lucian Perkins, a two-time Pulitzer Prize winning photojournalist; and Colby Caldwell, whose current exhibition was created with the radical use of standard office digital scanners in place of a camera. 

Since 1998, the ART TALKS series at Hemphill has included educational lectures on topics such as collecting for beginners, artist talks, and panel discussions on issues in contemporary art.

Click here to view (approximate running time: 1 hour 12 minutes)

Artistic portals leading to and encouraging wonder: The Washington Post

Artistic portals leading to and encouraging wonder: The Washington Post

June 17, 2022

By Mark Jenkins

Experimental photographer Colby Caldwell has two interests that might seem incompatible: nature and digital distortion. For his Hemphill Artworks show, “over & under,” Caldwell hauled flatbed scanners into the woods to grab close-ups of the forest floor or, less often, panoramas of sky framed by treetops. The bulk of these wax-coated pictures are crisp and detailed, but they’re partly tinted in electric shades of red and pink and punctuated by swipes and swooshes of random pixels. Here and there, traditional nature imagery melts into computer-generated incoherence.

Colby Caldwell: Washington City Paper

Colby Caldwell: Washington City Paper

June 2, 2022

By Louis Jacobson

Caldwell’s forest floor images live up to their early promise, depicting natural elements within wavy glitches, unreal pink-hued distortions, and adventures in broken vertical hold settings. One work, “otff_(23),” includes a spectrum-like pattern that could be a crypto-homage to the Washington Color School, while another, “otff_(12),” suggests a Robert Motherwell abstract expressionist canvas limned in shades of brown and pink. But Caldwell’s photographs of the forest canopy and the sky more than hold their own. The skyward images are more conventional—essentially free of the digital glitchiness seen in the forest-floor works; as such, they offer a respite from the dizzying brambles below. 

William Christenberry Acquisition: National Gallery of Art

William Christenberry Acquisition: National Gallery of Art

HEMPHILL is pleased to share the acquisition of William Christenberry's Memory Form II by the National Gallery of Art, Washington, DC.

William Christenberry (1936–2016) is best known for his artistic exploration of place, in particular the Black Belt region of Alabama, where he spent his childhood in Hale County. Working in a wide variety of media, including painting, drawing, photography, sculpture, and assemblage, Christenberry focused on architecture, abandoned structures, and nature, and he studied the psychology and effects of place and memory. The National Gallery of Art has acquired the sculpture Memory Form II (1997–1998), a gift from Stephen Bennett Phillips in honor of Sandra Deane Christenberry, the artist’s widow.

Click here to read more.

Exhibition Tour | Colby Caldwell: over & under

Exhibition Tour | Colby Caldwell: over & under

Saturday, June 11, 2022 | 10:30 AM

Open to the public

Join us for a walk-through and discussion of the exhibition over & under with artist, Colby Caldwell. Complimentary coffee from our neighbors at Brew'd.

Exhibition on view May 14 - June 25, 2022

Now, What is Photography? ART TALK

Now, What is Photography? ART TALK

Wednesday, June 8, 2022 | 6:30 PM

Seating is Limited, Registration Required.This event is currently at capacity, please register for the waiting list. In the event a ticket becomes available we will notify you by June 7.

"Now, What is Photography?" a panel discussion, brings together three viewpoints from the art world, journalism, and academia. The participants will address the subtle and dramatic changes in photography brought about by digital technology and social media. The panelists include Vesna Pavlović, a fine art photographer, educator, and recipient of the Fulbright Scholar Award; Lucian Perkins, a two-time Pulitzer Prize winning photojournalist; and Colby Caldwell, whose current exhibition was created with the radical use of standard office digital scanners in place of a camera. 

"Now, What is Photography?" is presented in conjunction with Colby Caldwell: over & under.

Since 1998, the ART TALKS series at Hemphill has included educational lectures on topics such as collecting for beginners, artist talks, and panel discussions on issues in contemporary art.

An Evening with Linling Lu | Kalamazoo Institute of Arts

An Evening with Linling Lu | Kalamazoo Institute of Arts

May 26, 2022 | 6 - 7 pm

You might know what Vivaldi’s Four Seasons: Winter sounds like—but what does it look like? The KIA’s Chief Curator, Rehema Barber, will join artist Linling Lu for an in-depth conversation about her artistic practice, which gives color, shape, and form to the music that plays in her studio while she works. Vivaldi is just one of her many musical muses. 

Linling Lu: Musical Meditations, on view through June 5, 2022, contains a series of paintings created from 2019 to the present, many of which were composed during the two-year period of the ongoing pandemic.

Click here to reserve a ticket.

Photo Credit: Colleen Woolpert, Courtesy of Kalamazoo Institute of Arts

WOVEN: Tanya Marcuse Interview and Photographs

WOVEN: Tanya Marcuse Interview and Photographs

Truth in Photography

HEMPHILL is pleased to share an interview with Tanya Marcuse conducted by Truth in Photography. Please find an excerpt below.

Truth in Photography: When you're making photographs, what are you trying to do? What's your goal? What do you look for?

Marcuse: In my recent projects giving the viewer an immersive sense of wonder is paramount. My goal is for the pieces to work as allover compositions from afar, but also as luscious still-lives when drawn in close. I want to invite a viewer into the world in the photograph where they can have their own passage between belief and doubt –a seduction side by side with skepticism about that relationship between the constructed and the natural. However fabled, the scene is still real and factual, presented across the picture plane –like a platter– to the viewer.

Click here to read the full interview.

The Rogues Gallery | MEPAINTSME

The Rogues Gallery | MEPAINTSME

April 26 - June 6, 2022

HEMPHILL is pleased to share Mingering Mike's inclusion in the online group exhibition, The Rogues Gallery, curated by @mepaintsme.

Developed in 1855 by Inspector Allan Pinkerton, The Rogues Gallery established a uniform compilation of photographs, names, and descriptions of criminals meant for quick and accurate identification.

Mingering Mike created a soulful alternate universe in which he was able to express himself in the only way he knew how: through art and music, in fake intricately handcrafted albums complete with gatefold interiors, extensive liner notes, and grooves drawn onto "vinyl." The album covers offer a glimpse into Mingering Mike’s fascinating and awe-inspiring career.

~@mepaintsme

Click here to view the exhibition.

Washington Post: In the Galleries - Rush Baker IV

Washington Post: In the Galleries - Rush Baker IV

By Mark Jenkins

April 15, 2022

History is mostly submerged, but occasionally visible, in Rush Baker IV’s recent paintings. “American Sunset,” the Hyattsville painter’s show at Hemphill Artworks, was partly inspired by Tony Horwitz’s book “Midnight Rising: John Brown and the Raid That Sparked the Civil War.” The results include three canvases titled “Harpers Ferry” and one called “John Brown.”

Baker paints with acrylics, augmenting the brightly hued pigment with plaster and resin, and sometimes paper and spray paint. He layers the materials, sands the surface and then repeats the process multiple times. “It’s a matter of adding and subtracting compositional elements until the painting reveals itself to me,” the artist says in an interview published by the gallery.

Click here to read more.

Rush Baker IV: American Sunset Interview

Rush Baker IV: American Sunset Interview

Interview with George Hemphill

Exhibition on view March 19 - April 30, 2022

HEMPHILL is pleased to share an interview with Rush Baker IV conducted by George Hemphill on the occasion of the exhibition American Sunset. Please find an excerpt below.

George Hemphill: Often, the organization of the picture plane in your paintings has circular movement, a spinning, a feeling of centrifuge, of things coming apart?

Rush Baker IV: Yes and no. It’s more of a reorganization of elements. It’s organized chaos. The collaged elements usually give the works a certain compositional structure. The initial layering of paint and plaster act as a disruption of that language, and then it’s a matter of revealing what the painting really wants to be. The gestures, especially in the larger works, mimic the movement of my physical range of motion.

Order and Uncertainty: Five Abstract Painters

Order and Uncertainty: Five Abstract Painters

Mono Practice

March 19 - April 23, 2022

MONO PRACTICE presents “Order and Uncertainty: Five Abstract Painters," a group exhibition curated by Timothy App, featuring the work of Power Boothe, Julie Karabenick, Patsy Krebs, Linling Lu, and W.C. Richardson.

Click here to learn more.

East City Art Reviews: Willem de Looper: Paintings 1968-1972

East City Art Reviews: Willem de Looper: Paintings 1968-1972

By Claudia Rousseau, P.h.D.

February 7, 2022

As we walked into Hemphill gallery’s elegant white spaces, a friend commented “it’s like a chapel”; an especially apt description of the sensation that emerges from this group of eleven paintings by Willem de Looper on exhibit here for the first time in many years.  My friend was referring to the sense of calm, a meditative sensibility that one feels in seeing these luminous works together in an otherwise empty space.

Click here to read more.

In the Galleries: Willem de Looper

In the Galleries: Willem de Looper

By Mark Jenkins for The Washington Post

February 5, 2022

Made over just four years, the luminous Willem de Looper abstractions in “Paintings, 1968-1972” demonstrate a subtle but significant transition. The 11 pictures at Hemphill Artworks, unexhibited for many years, shift from allover compositions to ones in which the watery colors are stacked horizontally, although still lushly blended.

Click here to read more.

WILLEM de LOOPER: Paintings 1968-1972 is on view at HEMPHILL through February 26, 2022.

Linling Lu: Musical Meditations

Linling Lu: Musical Meditations

Kalamazoo Institute of Arts

February 19 - June 5, 2022

Linling Lu: Musical Meditations is an exhibition of recent and new works that continues the artist’s investigations and responses to sound and color. Inspired by various musical genres, such as Johann Sebastian Bach’s cello suites and Japanese Taiko master Eitetsu Hayashi’s drum piece, Fertility of the Sea, Lu channels these musical encounters, creating circular compositions that become physical manifestations of the music playing in her studio.

Click here to learn more.

Visible Man: Art and Black Male Subjectivity

Visible Man: Art and Black Male Subjectivity

Harvey B. Gantt Center

January 28 - April 24, 2022

Renée Stout has been included in Visible Man: Art and Black Male Subjectivity, a show organized by Bowling Green State University Fine Arts Center Galleries and curated by Michael D. Harris, PhD.  The exhibition offers a creative look at the complexity of African-American males through cultural, racialized, and personal lenses.

Click here to learn more.

Actual Size! Photography at Life Scale

Actual Size! Photography at Life Scale

International Center of Photography

January 28 - May 2, 2022

Image makers of every kind, from fine artists to advertisers, have explored the strange magic that happens when the photograph becomes an uncanny double for the world it depicts. Works by Jeff Wall, Ace Lehner, Laura Letinsky, Kija Lucas, Aspen Mays, Tanya Marcuse, and others share the walls with anonymous posters, magazine spreads, and book covers.

Click here to learn more.

WILLEM de LOOPER: Paintings 1968-1972 | Catalogue

WILLEM de LOOPER: Paintings 1968-1972 | Catalogue

WILLEM de LOOPER: Paintings 1968 – 1972, is on view at HEMPHILL through February 26, 2022.

HEMPHILL has partnered with the Frauke and Willem de Looper Foundation to showcase eleven paintings created between 1968 and 1972. Largely pulled from storage, and unseen by the public for many years, these works must be experienced in person to fully appreciate their immersive effect on the viewer.

The exhibition is accompanied by an illustrated catalogue, 40 pages with 11 full color reproductions, published by HEMPHILL Artworks and the Frauke and Willem de Looper Foundation.

Purchase Catalogue

Alma Thomas | Everything is Beautiful: The Frist Museum

Alma Thomas | Everything is Beautiful: The Frist Museum

February 25 - June 5, 2022

Alma W. Thomas: Everything Is Beautiful will move to the Frist Art Museum on February 25, 2022. The exhibition provides a fresh perspective on the artist’s long, dynamic life (1891–1978) and multifaceted career that was defined by constant creativity. 

Click here to learn more.

Joseph Shetler: In Pursuit of Nothing

Joseph Shetler: In Pursuit of Nothing

Culture House 
January 22 - May 5, 2022

In collaboration with Culture House, Caitlin Berry presents Joseph Shetler: In Pursuit of Nothing, featuring paintings on panel. The exhibition is viewable through March 5, 2022, on Saturdays from 11 am – 2 pm and by appointment.

Click here to learn more.

 

 

Selu Songs: Photographs by Colby Caldwell

Selu Songs: Photographs by Colby Caldwell

Radford University Art Museum
February 9 - April 30, 2022

There is a shifting dialogue between the seemingly static nature of what the land holds, and how the land evolves as humans live off of it, appropriate it, fight over it, and remake it. Although we humans move with our own histories within us, the land we’ve lived on stays, holding what occurs upon it as another kind of history—both exploitative and generative—waiting to be explored, questioned, and shared. 

~Colby Caldwell

Click here to learn more.

Lou Stovall: On Inventions and Color

Lou Stovall: On Inventions and Color

The Kreeger Museum
February 1 - April 30, 2022

Lou Stovall: On Inventions and Color is a survey of works by Lou Stovall, the master printmaker who has transformed the field of printmaking in Washington, DC since the 1960s. The exhibition includes works from across Stovall’s career, giving insight into the artist’s innovative approach to screenprinting and his decades-long study of color.

The show was curated by Danielle O'Steen, Ph.D.

Click here to learn more.

Fields and Formations: American University Museum

Fields and Formations: American University Museum

January 29 - May 22, 2022

Organized by curator, Kristen Hileman, Fields and Formations brings together approximately 70 works by 12 distinguished women and non-binary artists from the Mid-Atlantic region who infuse abstract paintings, drawings, prints, and sculpture with emotional and metaphorical content.

Featuring artists: Natessa Amin, Arden Bendler Browning, Carol Brown Goldberg, Alex Ebstein, Alexis Granwell, Jesse Harrod, Maren Hassinger, Jae Ko, Linling Lu, linn meyers, Maggie Michael, and Jo Smail.

This exhibition was on view at The Delaware Contemporary in fall 2021.

Click here to read more.

Art, Unleashed

Art, Unleashed

DC Modern Luxury, December 2021 Issue

Linling Lu's artwork has been featured in the December 2021 issue of DC Modern Luxury Magazine.

'I hope to exercise and expand the feelings of color from physical, temporary encounters to metaphysical, timeless experiences that nurture a solitary indivudla and heal the damages from the chaos and uncertainty of life.'

Click here to read more.

For beloved D.C. artist Alma Thomas, beauty wasn’t just about art. It was essential to life, too.

For beloved D.C. artist Alma Thomas, beauty wasn’t just about art. It was essential to life, too.

The Washington Post
By Phillip Kennicott
November 3, 2021.

By the end of her career, Alma Thomas enjoyed considerable critical and popular success. She was the first African American female artist to be given a solo show at the Whitney Museum, in 1972. Her works were accessioned by major museums across the country, and featured prominently in key exhibitions in New York and Los Angeles. But it is unlikely Thomas could have imagined how her reputation would continue to grow after her death at 86 in 1978, so much that she is now one of the most beloved abstract painters of the past century.

The adulation is deserved, but can make it difficult to see her work clearly, a challenge the curators of “Alma Thomas: Everything Is Beautiful” confront directly in a major retrospective at the Phillips Collection in Washington.

Click here to read more.

As Galleries Return to Normal, One Group Show Thinks Big

As Galleries Return to Normal, One Group Show Thinks Big

For OPEN on K, Hemphill in Washington D.C. asked artists to bring their biggest ideas.

Hyperallergic
By Kriston Capps
November 11, 2021.

For Open on K, Hemphill asked artists to bring their biggest ideas. That’s a promising gallery provocation for this moment of return to not-quite-normalcy. Rush Baker appears to have found urgent inspiration in the Black Lives Matter protests for racial justice in the summer of 2020, but his paintings also point indirectly to the inchoate rage of the January 6 insurrection, with which the United States has yet to reckon. Many other artists — and many of the rest of us — spent months looking inward. Stepping back into the gallery after so many months of not seeing or showing or socializing marks an important moment, one in which we may see what’s changed.

Click here to read more.

George Hemphill - The Au Courant Art Dealer | Redux EXtra

George Hemphill - The Au Courant Art Dealer | Redux EXtra

October 10, 2021.

George Hemphill is thought of as the au courant art dealer in DC. His journey over 40 years, from teaching to the founding of a radical non-profit art organization, to being a force in the development of the fine art photography market, to his work at the influential art gallery Hemphill Artworks, placed him in the front row of an ever-evolving art world. Hemphill typically steps into the background, placing the gallery’s artists in the foreground. But, for the first time, he has agreed to be interviewed.

 

Annapolis Home Magazine: No Barriers

Annapolis Home Magazine: No Barriers

Kymberly Taylor, 2021

Interior designer, Mary Douglas Drysdale, has included a piece by Linling Lu in a 1920s home in Bethesda, MD, which was recently reviewed by Annapolis Home Magazine.

[Period details are] countered by bright orange modern prints by Donald Judd from the 1980s and a stunning recent work of concentric circles by Baltimore artist Linling Lu.  “They work together because they are both about the line,” says Douglas.  Lu’s giant circles are exciting and unusual yet adhere to a severe order due to the perfection of the circle’s unyielding form. Judd’s lines dare to be casual, to undulate ever so slightly. The circle closes the line into a contained form.  It is subtle tensions such as these that Drysdale employs.

Click here to read more.

Fields and Formations: The Delaware Contemporary

Fields and Formations: The Delaware Contemporary

September 3, 2021 - January 7, 2022

HEMPHILL is pleased to announce Linling Lu's inclusion in Fields and Formations at The Delaware Contemporary, Wilmington, DE. 

Organized by The Delaware Contemporary’s inaugural Curator-in-Residence Kristen Hileman, Fields and Formations brings together approximately 70 works by 12 distinguished women and non-binary artists from the Mid-Atlantic region who infuse abstract paintings, drawings, prints, and sculpture with emotional and metaphorical content. The artists, who span five decades in age, share interests in luminous color, repeated forms, the power of materials, and the meditative aspects of making labor-intensive works.

Click here to read more.

Sound Waves

Sound Waves

Robin Rose's luminous, abstract art reforms an ancient technique with contemporary rhythm

Robin Rose's encaustic paintings were reviewed in the September/October 2021 issue of Home and Design Magazine.  The feature discusses Rose's approach to painting with encaustic, how music influences his work, and the word associations that lead his practice during the pandemic.

Like an alchemist at work, artist Robin Rose stirs a cauldron of hot beeswax in his inner sanctum beside Washington’s Rock Creek Park. He mixes in damar crystals derived from natural tree resin, adds carnauba wax made from the leaves of a Brazilian palm, then blends in powdered pigment of a soft rose-madder hue. “One thousand one, one thousand two,” Rose intones, expressing the brieftime it takes for the hot wax to harden.

'Alma W. Thomas: Everything is Beautiful' Review | Bursting with Color Late in Life

'Alma W. Thomas: Everything is Beautiful' Review | Bursting with Color Late in Life

The Wall Street Journal, By James Panero, September 8, 2021.

A traveling show brings together over 150 objects to explore the vibrant abstract work of the Washington painter who developed her iconic style in her 60s.

Alma Thomas developed her unique abstract painting style only after retiring at age 68, in 1960, as a Washington, D.C., junior-high-school teacher. She called her forms “Alma’s Stripes” for their tessellated brushstrokes. Bold, rainbow daubs of paint weave together patterns of stripes and circles on canvas. Colors swirl and shimmer in these dazzling compositions. Vibrant hues react against one another. Active brush marks play off a tension between figure and ground.

Click here to read more.

Visible Man: Art and Black Male Subjectivity

Visible Man: Art and Black Male Subjectivity

BGSU: Dorothy Uber Bryan Gallery | September 24 - November 7, 2021

HEMPHILL is pleased to announce Renée Stout's inclusion in Visible Man: Art and Black Male Subjectivity, at the Dorothy Uber Bryan Gallery at Bolling Green State University in Bolling Green, Ohio. 

A premier exhibition of contemporary African-American artists will be the cornerstone of Visible Man: Art and Black Male Subjectivity, hosted in the BGSU School of Art Galleries in fall 2021. Curated by respected art expert Michael Harris, an Emory University art history professor and a 1971 BGSU School of Art graduate, the exhibition will present a creative look at the complexity of Black males through cultural, racial and personal lenses as expressed by women and men of color.

Click here to read more.

The Color of Light: Utopian Abstractions

The Color of Light: Utopian Abstractions

L’ancien Eveche (The Ancient Bishop’s Palace), Uzés, France

The Color of Light: Utopian Abstractions is on view at L’ancien Eveche (The Ancient Bishop’s Palace) in Uzés, France. After a successful opening at the Rothko Art Centre in Daugavpils, Latvia (birthplace of the artist), where the show was created to respond to the abstract, meditative, empty spaces of Rothko’s paintings, the exhibition continues its journey through the south of France, under this very special light, and with the support of The Association of Art, Architecture and Territory.

To honor Rothko and his legacy as a “colorist," curator Dianne Beal, selected an international roster of five artists - a native of Uzés, Pascal Fancony, a Belgian, Yves Ullens, a Japanese, Go Segawa, and two Americans, Anton Ginzburg and Julie Wolfe.

City Lights: What's Going Around Examines Lou Stovall's Political Art

City Lights: What's Going Around Examines Lou Stovall's Political Art

Anupma Sahay, Washington City Paper, July 16, 2021.

"Throughout the exhibit, dynamic lines and colors create a motion eager for release. Visuals of silhouettes, local blocks, and community articles, such as bicycles and trees, are paired with intentionally placed letters. The words may provide the information, but they are devoted to design."

Click here to read more. 

In the galleries: Posters as a medium for serious but jubilant communication

In the galleries: Posters as a medium for serious but jubilant communication

By Mark Jenkins, The Washington Post, July 9, 2021.

"The title of Hemphill Artworks’ “What’s Going Around: Lou Stovall & the Community Poster” gives the longtime D.C. printmaker top billing. But the show includes pieces by other notables who squeegeed ink across silk-screens at Workshop Inc., the studio Stovall founded in 1968. These include Sam Gilliam, Gene Davis and Paul Reed, as well as Stovall’s frequent collaborator, artist-musician Lloyd McNeill, and his spouse, artist Di Stovall."

Click here to read more. 

Bold Voice

Bold Voice

Michael McCarthy for Modern Luxury | July 2021

"Through his iconic posters that represent a pivotal time in DC Home Rule, artist Lou Stovall captured the hues and spirit of an era.  Posters have often reflected a collective zeitgeist and call to action, and DC artist Lou Stovall—via The Workshop, which he founded in 1968—used this medium to express a transformative era in the nation’s capital."

Click here to read more.

The Color of Light: Utopian Abstractions

The Color of Light: Utopian Abstractions

Daugavpils Mark Rothko Art Center, Latvia | June 22, 2021

The Color of Light: Utopian Abstractions displays five artists’ investigations into the color of light. Whether expressed through painting, drawing, photography, video, installation or sculpture, the effects of light, materials, color intensity and hue, subject matter, inspiration, latitude and climate all affect the outcome of the abstract images presented.  The artists are united by their dedication to abstraction, pure color and form...

Julie Wolfe (Washington, DC, USA) investigates color and form, the beauty of nature and its destruction in her paintings, prints, drawings, sculptural objects and installations.  Wolfe works with a myriad of materials including water, light, chemical and organic compounds, photographs, salvaged books and other found objects and explores patterns of light and intricacies of color.

Click here to read more.  

Artists on Artists to Watch, and Maybe Even Collect

Artists on Artists to Watch, and Maybe Even Collect

Noor Brara for the New York Times T Magazine | June 14, 2021.

"The best direction one could give to someone interested in expanding their knowledge of contemporary art is to pay attention to what artists are paying attention to; artists always know before everyone else does...

Sean Scully: Renée Stout, 63

Renée is a wonderful artist and a very good friend of mine. She had a show a few years ago in my space [Sean Scully Studio]. Her work can be categorized somewhere between baroque, mystical and confessional painting. I’ve got one piece of hers that depicts a ball of fire in the night sky. It’s very beautiful. She is influenced by the idea of Fluxus — objects that have a memory attached to them. Her work is very emotional and not particularly in tune with what’s fashionable, though of course now that’s changing so fast, and who even knows what it is anymore. Renée has a kind of tender stoicism. I’m very fond of her."

Click here to read more. 

 

At the Phillips Collection, conceptual art that evokes 'Ghosts' of the museum's past

At the Phillips Collection, conceptual art that evokes 'Ghosts' of the museum's past

By Mark Jenkins, The Washington Post, June 9, 2021.

"Marley Dawson and the Phillips Collection operate on different planes. The museum is known for paintings that are hushed, serene and even transcendental; Dawson makes metal sculptures that spin, pivot and occasionally spit fire. But the Australian conceptual sculptor and the Washington museum meet in midair, like high-wire acrobats from disparate troupes, for “Ghosts.” It’s the latest installment in “Intersections,” a series in which contemporary artists respond to the Phillips’s art."

Click here to read more.

In the galleries: Works of art emerge via waking up with a word in mind

In the galleries: Works of art emerge via waking up with a word in mind

By Mark Jenkins, The Washington Post, May 21, 2021.

"As a painter, Robin Rose has often followed musical cues, naming his abstractions after songs that prompted them. He works in encaustic, a mix of pigment and hot wax that requires a quick hand and whose immediacy has “a sonic quality,” he told a recent visitor to Hemphill Artworks. Yet the veteran local artist’s new “19 Paintings” hatched from text."

Click here to read more.

Poetry and Word Pictures: Ilchi and Rose at Hemphill | May 4, 2021

Poetry and Word Pictures: Ilchi and Rose at Hemphill | May 4, 2021

Written by Claudia Rousseau for East City Art Reviews

"Hedieh Javanshir Ilchi’s richly colored abstract landscapes in acrylic and watercolor seem the absolute opposite of Rose’s apparently minimalist encaustics, but there are connections.  The lyrical title of Ilchi’s show, Listen to the night as it makes itself hollow, and the poetry of the titles of each of her paintings enhance their equally poetic imagery.  All painted in the past few months, they speak to each other in a voice that is tender, but aching with longing.   Similarly, Rose’s 19 Paintings, all made between March 2020 and January 2021, were each inspired by a word that the artist woke up with in the middle of the night, as he explains in a video interview made in connection with this show"

Read, "Poetry and Word Pictures: Ilchi and Rose at Hemphill," here

Miss Alma Thomas: A Life in Color

Miss Alma Thomas: A Life in Color

Film Trailer

"Alma W. Thomas was an overnight success — 80 years in the making.

Born a generation after slavery, Alma Woodsey Thomas grew up in the South, in a home where education was a priority. At 16, with racial tensions high and no further schooling options, her family moved to Washington, DC, where she started her incredible life of firsts: the first Fine Arts graduate from Howard University (1924), the first African-American Woman to mount a solo show at the Whitney Museum of American Art (1972), and the first African-American woman to exhibit her paintings in the White House (2009). All the while, she taught art at Shaw Jr. High for 36 years, pioneered educational techniques, traveled the world, and crossed racial barriers. Yet she did not receive national attention until six years before she passed.

Thomas’ paintings grab the viewer’s attention and form an instant connection to their emotions and mood. While her work is easy to appreciate and quick to understand, her life and struggles are not. Through her passion, she persevered through racism and sexism in the art world to achieve a level of prominence, still rare among African-American artists today.

“Miss Alma Thomas” is the first documentary film that explores Thomas’ incredible life. Released in conjunction with a major four-city museum retrospective, thousands will have the opportunity to learn of her life, work, and continuing influence.

Until now, no film has ever been produced to tell her important story."

Please click here to read more. 

Please click here to watch the trailer.
 

Robin Rose In Conversation with Vesela Sretenović

Robin Rose In Conversation with Vesela Sretenović

CONVERSATIONS WITH ARTISTS

April 15, 6:30-8:00PM

University of Maryland Center for Art and Knowledge at The Phillips Collection

"Robin Rose (b. Ocala, Florida; lives and works in Washington, DC) creates works in encaustic mixed with pigment and wax using subtle hues to produce his abstractions. His so-called “Scriptronics” are drawings created on brown paper with a black marker connected by wire to a CD recorder. As he draws on the paper, sounds emanate from speakers. The texture of the paper and the amount of pressure applied while drawing determine the sound being recorded and played back. Rose sees his Scriptronics not only as a means of expression for artists but also as a potential therapeutic tool for those with autism or dementia.

He will be joined in conversation by Vesela Sretenović, Senior Curator of Modern and Contemporary Art, The Phillips Collection."

Click here to register.

The Washington Print Club

The Washington Print Club

Conversation with Collector Laura Roulet featuring Nekisha Durrett and Julie Wolfe

May 26 | 11am-12pm EST

Collector Laura Roulet will lead us on a virtual slide tour of her collection of works on paper. Joining her in conversation will be DC-area artists Nekisha Durrett and Julie Wolfe.

Click here for more information.

Breath | Redux Extra

Breath | Redux Extra

Robin Rose interviewed by Zoe R. for Redux Extra, Spring 2021 Issue

"Robin Rose is an adroit artist of his generation with a unique art form. His work is the essence of a cosmic curiosity and his profound observation of nature, as he constantly discovers the riches of nature around him. His muse is the bountiful domain of rocks and pebbles, rivers and springs that inspires him to create. Robin applies a specific technique to each paintings, that he prepares with patience as he does on a journey to an unknown destination. His untamed approach provides him an unlimited scope of imagination and desire for discovery that not only transcends his art beyond the ordinary, but it also demands a deeper appreciation and interpretation from his audience."

Click here to read more.

The Long Sixties: Washington Paintings in the Watkins and Corcoran Legacy Collections, 1957-1982

The Long Sixties: Washington Paintings in the Watkins and Corcoran Legacy Collections, 1957-1982

Curated by Jack Rasmussen

American University Museum at the Katzen Art Center, Washington DC

February 16 – August 9, 2021

"The American University Museum recently acquired 9,000 works from the Corcoran Gallery of Art, a Washington institution that closed its doors to the public in 2014. Together with our Watkins Collection we have an especially strong cache of works by Washington regional artists. While curating a show of Washington paintings drawn from our growing collections, I became interested in how my memories of a formative time in my life might be affecting my choice of artwork for this exhibition.

Every exhibition is an opportunity to address what we can see of the past from our contemporary perspective. My perspective includes the acknowledgement of persistent, systemic gender and racial injustice, bias, and violence that was present in the fifties, laid bare in the sixties, and continues to the present day. It is clear to me that the defining characteristic of most White mainstream art made between 1957 and 1982 in Washington was an adherence to aesthetic and commercial constraints that encouraged artists to remain silent when their voices are most needed. What pushback there was against this tendency was led by Black and women artists, whose work has been systematically underrepresented in the collections of Washington museums."

– Jack Rasmussen, Curator

Featuring Artists: Cynthia Bickley-Green, Lisa Montag Brotman, Allen Carter, Michael Clark, Manon Cleary, Robert D’Arista, Rebecca Davenport, Gene Davis, Willem de Looper, Jeff Donaldson, Thomas Downing, William S. Dutterer, Alan Feltus, Fred Folsom, Robert Franklin Gates, Sam Gilliam, Carol Brown Goldberg, Tom Green, Helene McKinsey Herzbrun, Michal Hunter, Val Lewton, Howard Mehring, William Newman, Kenneth Noland, Robin Rose, Joseph Shannon, Frank Anthony Smith, Carroll Sockwell, Alma Thomas, Franklin White, William Woodward, and Kenneth Victor Young.

View the exhibition and catalogue online in Museum@Home.

Hedieh Javanshir Ilchi: Listen to the night as it makes itself hollow - Video

Hedieh Javanshir Ilchi: Listen to the night as it makes itself hollow - Video

Created in conjunction with "Hedieh Javanshir Ilchi: Listen to the night as it makes itself hollow", on view at HEMPHILL April 1 - May 28, this video features an exclusive look at the artist's process and a selection of paintings included in the exhibition.

Click here to view.

Defining Diaspora: 21st Century Developments in Art of the African Diaspora

Defining Diaspora: 21st Century Developments in Art of the African Diaspora

James A. Porter Colloquium: Friday, April 16, 2021 | 4:30pm–6:00pm

Floyd W. Coleman Sr. Distinguished Lecture

Renée Stout, Washington, DC

Thank You for Talking to Me Africa: Trusting the Voice Within

Renée Stout is a painter and sculptor based in Washington, DC. Her work is in the collections of many museums across the country, including the National Gallery of Art, the Smithsonian American Art Museum, and the National Museum of African American History and Culture. She is the recipient of the 2018 Lifetime Achievement Award from the Women's Caucus for Art, the 2020 Adolph and Ester Gottlieb Foundation Award, and the Virginia A. Groot Foundation Award.

Click here to register.

Robin Rose: 19 Paintings — VIDEO

Robin Rose: 19 Paintings — VIDEO

Created in conjunction with Robin Rose: 19 Paintings, on view at HEMPHILL April 1 - May 28, this video features interviews Robin Rose and an exclusive look at the 19 paintings in the series.

Watch on Vimeo

Arlington Arts Center: STRETCHED

Arlington Arts Center: STRETCHED

March 27 - June 5, 2021

Stretched presents an expanded perspective on contemporary painting, featuring nine artists whose work is rooted in but transcends the medium. Ranging from work on canvas to large-scale installation, the exhibition emphasizes the expansive and multi-faceted approach taken by contemporary artists who work with paint as part of their practice. 

Featured Artists: Amna Asghar, Rushern Baker IV, Erick Antonio Benitez, Mark Joshua Epstein, Saskia Fleishman, Jen Noone, Katherine Tzu-Lan Mann, Madeline A. Stratton, and Rives Wiley

Click here for more information.

Songs of Mihyar the Damascene

Songs of Mihyar the Damascene

By Adonis, Kareem James Abu-Zeid (Translator), Ivan Eubanks (Translator)

Featuring cover artwork by Hedieh Javanshir Ilchi.

"Cloud, mirror, stone, thunder, eyelid, desert, sea. Through a dead or dying land, Mihyar walks: a figure of heroic individualism and dissent, part-Orpheus, part-Zarathustra. Where he goes, the austere building-blocks of his world become the expressions of passionate emotion, of visionary exaltation and despairing melancholy. The traditions of the Ancient Greeks, the Bible and the Quran flow about and through him."

'The greatest living poet of the Arab world' Guardian

Click here for more information.

Ways of Seeing: Buildings and Monuments

Ways of Seeing: Buildings and Monuments

Birmingham Museum of Art: October 5, 2020 - March 14, 2021

“This show is also connecting Alabama artists to our global collection. William Christenberry is a perfect example of that. ‘Ways of Seeing: Buildings and Monuments’ shows his work alongside the work of a number of other artists who aren’t as connected to Alabama.

In that sculpture, Christenberry is expressing his feelings about Alabama and Hale County in general. I think this show is an interesting place to think about our very local context in Birmingham and our local context in the state of Alabama right now, through art which is exciting.”

– Kate Crawford, Curator of American Art, Birmingham Museum of Art

Read "Ways of Seeing" connects Alabama + worldwide artists — why we're drawn to it here.

Click here to learn more about Ways of Seeing: Buildings and Monuments.

"In the galleries: Tracing a generational progression in abstract art"

"In the galleries: Tracing a generational progression in abstract art"

by Mark Jenkins, The Washington Post, March 7, 2021

The three solo shows at Hemphill Artworks don’t add up to an overview of the evolution of abstract painting, and aren’t meant to. Still, the progression from Leon Berkowitz’s luminous austerity to Steven Cushner’s totemic imagery to E.E. Ikeler’s mixed-media intricacy does demonstrate intriguing generational shifts. Over a half-century of this trio’s nonrepresentational art, things get funkier and funkier.

Art & Activism: Lou Stovall's Washington, D.C.

Art & Activism: Lou Stovall's Washington, D.C.

Thursday, February 25, 2021 | 6:00pm-8:00 pm

"Join curators Will Stovall and Marya McQuirter for a discussion about art and activism in Washington, DC in the late 1960s."

A selection of community posters from The Columbus Museum’s current exhibition, What’s Going Around: Lou Stovall and the Community Poster 1967-1976, will be paired with black & white photography to highlight the artists and activists who worked toward black liberation. Stovall and McQuirter will be joined by special guest Ibrahim Mumin, who will share his experiences as a Howard University student and community leader during this time period."

Click here to register.

Black Abstract Artists Are Finally Being Recognized by the Art Market

Black Abstract Artists Are Finally Being Recognized by the Art Market

Written by Darla Harper for Artsy.

"The story of abstraction in America has long featured an overwhelmingly white cast of characters, but in recent decades, that has finally started to change...Recent years have seen swelling recognition for important Black Abstract Expressionists like Norman Lewis, Alma Thomas, Beauford Delaney, and subsequent generations of artists including Edward Clark, Sam Gilliam, Howardena Pindell, Stanley Whitney, and Jack Whitten."

Click here to read more.

Jewish Book Week | Sweet Noise: Love and Wartime

Jewish Book Week | Sweet Noise: Love and Wartime

Max Hirshfeld & Stuart Eizenstat

March 5, 2021 | 8:30pm EST | Zoom Event

"The Holocaust remains a subject difficult to grasp and almost impossible to document. Award-winning photographer Max Hirshfeld searched for decades for the right way to share his Auschwitz survivor parents’ story of love and perseverance before, during and after. He is joined here by Stuart E. Eizenstat, special adviser for Holocaust issues to President Obama and former US Ambassador to the EU, who contributed an essay to the book."

Click here to register.

Featured Acquisition: Dragon by Hale Woodruff

Featured Acquisition: Dragon by Hale Woodruff

"The Asheville Art Museum is grateful for the contributions of Kevin Click and April Liou for the recent purchase of Dragon, an abstract oil painting created around 1957 by African American artist Hale Woodruff."

Click here to read more.

E.E. Ikeler, Exhibition — VIDEO

E.E. Ikeler, Exhibition — VIDEO

Created in conjunction with E.E. Ikeler, on view at HEMPHILL January 23 - March 20, 2021, this video focuses on one piece included in the exhibition; Reap What You Sow / Glitter + Gold. This short Spotlight video is the first in a series produced to provide a closer look at one of the works currently on display.

View on Vimeo 

 

EXHIBITION | Joseph Shetler: Objective Ambitions

EXHIBITION | Joseph Shetler: Objective Ambitions

February 5 - March 27, 2021

Caitlin Berry Fine Art

"In the past twelve months, Joseph Shetler found centeredness in striving toward objectivity. However, it is the persistent labor, not pure objectivity, to which Shetler is devoted. His linear and monochrome abstractions manifested through the droning malaise of the past year and its history defining slew of events. Acts of listening and practicing empathy defined his response as he examined his own privilege and role within societal disparities."

Click here to view on Artsy.

Robin Rose In Conversation with Vesela Sretenović

Robin Rose In Conversation with Vesela Sretenović

CONVERSATIONS WITH ARTISTS

April 15, 6:30-8 PM

University of Maryland Center for Art and Knowledge at The Phillips Collection

"Robin Rose (b. Ocala, Florida; lives and works in Washington, DC) creates works in encaustic mixed with pigment and wax using subtle hues to produce his abstractions...He will be joined in conversation by Vesela Sretenović, Senior Curator of Modern and Contemporary Art, The Phillips Collection.

The Conversations with Artists series provides an opportunity for the DC community and University of Maryland students to hear from leading and emerging artists in an informal setting."

Click here to register.

EXHIBITION | Alma W. Thomas: Everything is Beautiful

EXHIBITION | Alma W. Thomas: Everything is Beautiful

Chrysler Museum of Art, Norfolk, Va. July 9, 2021 - October 3, 2021

The Phillips Collection, Washington, DC: Fall 2021

The Frist Art Museum, Nashville, TN: Spring 2022

The Columbus Museum, Columbus, GA: Summer 2022

Click here to read What to Look Forward to in 2021: More Than 30 Exhibitions, Books, and Events Focused on African American Art on Culture Type.

"Lou Stovall’s Backyard Studio." Robert Bettman, Washington Citypaper, January 14, 2021.

"Lou Stovall’s Backyard Studio." Robert Bettman, Washington Citypaper, January 14, 2021.

Learn more about the work of Lou Stovall in "An Act of Nature Brought Down Lou Stovall’s Backyard Studio. Now What?" published in the Washington Citypaper.

"Artwork from Lou Stovall’s print studio, Workshop, Inc., is ubiquitous in local galleries and museums. Pieces populate institutions like the National Gallery of Art and the Smithsonian American Art Museum, as well as the American University Museum, D.C.’s Art Bank, the Phillips Collection, and Addison/Ripley Gallery. But unlike many of the artists he created prints for and with, including Sam Gilliam, Josef Albers, Alexander Calder, Gene Davis, Elizabeth Catlett, Lois Mailou Jones, and Jacob Lawrence, Stovall’s name has yet to seep into the mainstream."

Click here to read more.

Lou Stovall will be on view at HEMPHILL June 12 - July 17, 2021.

Leon Berkowitz, Exhibition — VIDEO

Leon Berkowitz, Exhibition — VIDEO

Created in conjunction with the Leon Berkowitz exhibition at HEMPHILL, this video features interviews with Mark Kelner and Robin Rose and an exclusive look at Leon Berkowitz, on view through March 20.

Artist: Leon Berkowitz
Copyright: HEMPHILL Artworks
Interviews: Interviews with Mark Kelner, Artist and Robin Rose, Artist by George Hemphill
Video Footage & Editing: Hannah Davis 
Music: Oleao Strut was composed by Steve Drews and was performed by Mother Mallard’s Portable Masterpiece Company from the album Like A Duck To Water
www.cuneiformrecords.bandcamp.com
Special Thanks to Steve Feigenbaum 
© Cuneiform Records

View on Vimeo

"Celebrating Women Artists in the Phillips Collection," September 24 - December 27, 2020.

"Celebrating Women Artists in the Phillips Collection," September 24 - December 27, 2020.

The Phillips Collection is celebrating the 100th anniversary of the 19th amendment with an online viewing of artwork from the permanent collection.

The exhibition will include works from seven women artists and recipients of the Anonymous Was a Woman (AWAW) Award, including Renée Stout.

Read "Celebrating Women Artists in the Phillips Collection" here.

"In the Galleries," Mark Jenkins, The Washington Post, December 11, 2020.

"In the Galleries," Mark Jenkins, The Washington Post, December 11, 2020.

William Christenberry's 2020 exhibition at HEMPHILL was reviewed by Mark Jenkins for The Washington Post.

"Like Warhol, Christenberry pondered consumer products, although with an emphasis on regional brands. A battered sign for Tops Snuff is the subject of three silk-screens, their printing roughened with sand and coffee grounds."

Read "In the Galleries: Perspectives on blending culture and identity" here.  

"In the Galleries," Mark Jenkins, The Washington Post, November 20, 2020.

"In the Galleries," Mark Jenkins, The Washington Post, November 20, 2020.

Julie Wolfe's 2020 Exhibition at HEMPHILL was reviewed by Mark Jenkins for The Washington Post.

"If such references suggest quaint nostalgia, that's not all that flourishes in Wolfe's dreamfields.  These visual pileups also convey a sense of anxiety that's altogether up to date."

Read "In the Galleries: The Washington colorists and the CIA" here.

Romare Bearden, Exhibition — VIDEO

Romare Bearden, Exhibition — VIDEO

Created in conjunction with the Romare Bearden exhibition, this video surveys two works on view; Green Times Remembered - Recollection Pool and Indigo Snake.

Artist: Romare Bearden
Artwork: © 2020 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY
Copyright: HEMPHILL Artworks
Video Editing: Hannah Davis
Music: Longdown Hill by Samuel Sharp

View on Vimeo

William Christenberry, Exhibition – VIDEO

William Christenberry, Exhibition – VIDEO

Created in conjunction with the William Christenberry exhibition at HEMPHILL, this video surveys the three sculptures featured in the show; "Night Spot," "Roadside Tableaux," and "Southern Monument XXII."

Artist: William Christenberry
Copyright: HEMPHILL Artworks
Photography & Video Editing: Hannah Davis
Music: As I Am - composed and performed by Kate Amrine on flugelhorn
Elegy - composed by Jessica Rudman, performed by Kate Amrine on trumpet
Both pieces are featured on Kate's first album As I Am
For more information about the composers please visit jessicarudman.com/ and kateamrine.com/
Photo by Jerry Siegel (jerry@jerrysiegel.com)

View on Vimeo

"What's Going Around," Woodruff Gallery, November 14, 2020 - April 11, 2021.

"What's Going Around," Woodruff Gallery, November 14, 2020 - April 11, 2021.

"What’s Going Around" traces the early development of master printmaker, Lou Stovall, and his process. It also trains the spotlight on a turbulent era of U.S. history not unlike the contemporary moment. This selection of early silkscreen posters provides insight into how one artist engaged art and history in service to the community, offering an exemplary—and inspiring—model for our own tumultuous times.

Learn more about the upcoming exhibition "What's Going Around: Lou Stovall and the Community Poster, 1967–1976" at the Columbus Museum here.

"How to Read Gilliam's Formalism," Peter Schjeldhal, The New Yorker, November 9, 2020.

"How to Read Gilliam's Formalism," Peter Schjeldhal, The New Yorker, November 9, 2020.

Learn more about Sam Gilliam's work in How to Read Sam Gilliam's Formalism in The New Yorker by Peter Schjeldahl.

"For decades, the artist has made meltingly beautiful paintings that appeared to make no clear point about identity, but the scholar Fred Moten teases out inconspicuous themes of Blackness."

Read "How to read Sam Gilliam's Formalism" here.

"In the Galleries," Mark Jenkins, The Washington Post, November 6, 2020.

"In the Galleries," Mark Jenkins, The Washington Post, November 6, 2020.

Ryan Crotty’s 2020 exhibition at HEMPHILL was reviewed by Mark Jenkins for The Washington Post.

"Glowing on the walls of Hemphill Artworks’s new location, Ryan Crotty’s complex abstractions look as if they’ve come home."

Read "In the galleries: Referencing the revered Washington colorists and beyond" here.

"Concentricities of Color," Timothy App, BMoreArt, October 30, 2020.

"Concentricities of Color," Timothy App, BMoreArt, October 30, 2020.

Linling Lu’s 2020 exhibition at HEMPHILL was reviewed by Timothy App for BmoreArt Magazine.

“It was refreshing, and also enlightening, to view the colorful abstract paintings of Linling Lu in her solo show, One Hundred Melodies of Solitude, at Hemphill Fine Arts in Washington, DC. What seemed at first to be formal abstractions expanded into spiritual, cultural, and personal visions”

Read "Concentricities of Color: Linling Lu’s One Hundred Melodies of Solitude at Hemphill" here.

Elle Decor Spain, Fran Muñoz, January 1, 2020.

Elle Decor Spain, Fran Muñoz, January 1, 2020.

HEMPHILL worked with designer Nestor Santa-Cruz and architect Anne Decker to select artworks by Linling Lu, Steven Cushner, and Amy Pleasants for an interior design project in Washington DC. The pool house was recently featured in Elle Decor Spain.

Read more here.

Julie Wolfe, Wildfires and Dreamfields - VIDEO

Julie Wolfe, Wildfires and Dreamfields - VIDEO

Created in conjunction with the Julie Wolfe exhibition at HEMPHILL, this video surveys the suite of five prints on display in the gallery and explores the artist's process of creating the limited edition Artist Book, Wildfires and Dreamfields.  

Artist: Julie Wolfe
Copyright: Visual: HEMPHILL Artworks, Music: Ledah Finck 2020
Photography & Video Footage: Julie Wolfe
Video Editing: Hannah Davis
Music: The Hands & Cambium Composed by Ledah Finck 
Performed by Ledah Finck and Nick Saia

View on Vimeo

Ryan Crotty, Exhibition - VIDEO

Ryan Crotty, Exhibition - VIDEO

Created in conjunction with the Ryan Crotty exhibition at HEMPHILL, this video explores the artist's process and provides a closer look at the paintings displayed in the gallery.

"I have a sense of being in control, yet the painting can never be perfect. It is the imperfections that give the work its mystery."

- Ryan Crotty, 2020

View on Vimeo 

Renée Stout

Renée Stout

The Halsey presents a virtual group exhibition: finding their place

08/19/20

by Gabriela Capestany, Charleston City Paper

Renée Stout

Renée Stout

That Long Distance Call: Renée Stout and the Blues

08/18/2020

by Jeremy Ney

HEMPHILL

HEMPHILL

Six Local Artists Explain the Inspiration for Their HEMPHILL Coloring Book Pieces

08/20/2020

by Jennifer Anne Mitchell

HEMPHILL

HEMPHILL

Meet the ASPIRE HOUSE McLean 2020 Designers: An Exclusive Interview With George Hemphill

08/11/2020

by Sherry Moeller

Colby Caldwell

Colby Caldwell

City Lights: Scan a Set of Stunning Photos Made With a Scanner

08/10/20

by Louis Jacobson, Washington City Paper

Hemphill Coloring Book

Hemphill Coloring Book

by HEMPHILL

07/15/2020

This coloring book was created during the shelter-in-place period of 2020. Thanks to the artists for their participation and inspiration. Art endures and so will we. Be well and thank you for continued support. 

Julie Wolfe, Opposing Forces - VIDEO

Julie Wolfe, Opposing Forces - VIDEO

by HEMPHILL

06/24/2020

Please enjoy this short video detailing the conception and evolution of Julie Wolfe's new series, Opposing Forces. Created during the isolation period of COVID-19, Opposing Forces asks questions without fixed answers. Wolfe reassembles the building blocks of geometry, mathematics, color theory and perception to probe us, provoke us, and propose that images can teach us about ourselves in ways that words cannot. How do we un-think color or form? What compels us, chaos or order? Are we innately drawn to one or the other and, if so, what does that say about us as we chart our experiences and reactions in the face of uncertainty?

JULIE WOLFE
Opposing Forces
2020
acrylic and ink on found book page
13 1/4" x 19 1/2" each

Steven Cushner, FAN - VIDEO

Steven Cushner, FAN - VIDEO

by HEMPHILL

05/22/2020

Steven Cushner is known for experimenting with motifs across all mediums, including drawings, paintings, and prints. Please enjoy this short video detailing the conception and evolution of a single motif in many forms, Fan.

Linling Lu, Exhibition - VIDEO

Linling Lu, Exhibition - VIDEO

by HEMPHILL

04/27/2020

Enjoy a behind the scenes look into the making of Linling Lu's 2020 exhibition at HEMPHILL, from the schematics and paint mixing to the final installation. 

"My work is nurtured by my Chinese heritage but is also inspired by many artists from all over the world. The work has become more universal vs. from a single perspective. I envision it being accompanied by drum-heavy music because the music is very abstract and the instrument is circular; without looking at the performance, there are many similarities to drum pieces from Africa, Native America and West Asia - it is a universal instrument and universal music.” - Linling Lu, 2020 

Max Hirshfeld

Max Hirshfeld

This book provides an intimate look at lives forever changed by the Holocaust

03/20/2020

by Kenneth Dickerson, The Washington Post

William Christenberry

William Christenberry

For Six Decades, William Christenberry Captured The Ramshackle Vernacular Of The South

02/21/2020

by Zachary Fine, Art in America 

HEMPHILL Artworks

HEMPHILL Artworks

Washington Is a Storm, One Piece of Art Can Be Your Anchor

01/23/2020

by Kriston Capps, Washington City Paper

HEMPHILL Artworks

HEMPHILL Artworks

Why DC Needs Art Galleries

01/16/20

by Ian Bourland, Washingtonian

Mary Early

Mary Early

Freight Gallery Presents Mary Early Līnea IX 2020

01/06/20

by Editorial Team, East City Art

HEMPHILL Fine Arts

HEMPHILL Fine Arts

HEMPHILL Fine Arts Moves To New DC Location

12/10/2019

by Editorial Team, East City Art

HEMPHILL Fine Arts

HEMPHILL Fine Arts

5 Art Destinations Changing DC's Creative Scene

12/07/2019

by Haley McKey, On Tap Magazine

Julie Wolfe

Julie Wolfe

In the galleries: At three venues, modernist art that looks to the past

11/08/2019

by Mark Jenkins, Washington Post

HEMPHILL Fine Arts

HEMPHILL Fine Arts

After 15 Years on 14th Street, HEMPHILL Fine Arts Moves to Mount Vernon Square

11/07/2019

by Kriston Capps, Washington City Paper

Hedieh Javanshir Ilchi

Hedieh Javanshir Ilchi

Ebb and Flow

11/05/2019

by Tina Coplan, Home & Design Magazine

Renée Stout

Renée Stout

The Sculptures Embodying Women's Unpaid Work

09/12/2019

by Sheila Wickouski, Ms. Magazine

Julie Wolfe

Julie Wolfe

In the galleries: An exhibition that draws attention to overlooked issues

8/23/19

by Mark Jenkins, Washington Post

Julie Wolfe

Julie Wolfe

Taking Rorscach Tests With Julie Wolfe

08/05/2019

by Kaylee Dugan, Brightest Young Things

Colby Caldwell

Colby Caldwell

Picture Leaving Big-City Success To Visit Skeet Ranges

07/31/2019

by Michael Shoeffel, Asheville Made 

Julie Wolfe

Julie Wolfe

Book Release

07/12/2019

Julie Wolfe’s newest publication, Dream Sequel Series: Under Their Gaze We Become Creatures will be available for purchase on August 1, 2019. Recent prints, paintings and drawings are juxtaposed with images from the artist’s collection of second-hand books based on outdated psychoanalysis theories, art history and natural science. The photographic images are reordered, distorted, merged and arranged into the book in a way that stages random associations between facing pages that might be in dialogue and taking on new meanings.

Hedieh Javanshir Ilchi

Hedieh Javanshir Ilchi

East City Artnote: Hedieh Javanshir Ilchi: I surrender to you, ashen lands and blue skies at HEMPHILL Fine Arts

06/24/2019

by Ashley Shah, East City Art

Hedieh Javanshir Ilchi

Hedieh Javanshir Ilchi

In the galleries: Whimsy rendered starkly, in black and white

06/07/2019

by Mark Jenkins, Washington Post

Hedieh Javanshir Ilchi

Hedieh Javanshir Ilchi

5 Artists on the Verge of a Breakthrough Whose Work You Can See This May

05/13/2019

By Katie White, artnet news

Rushern Baker IV

Rushern Baker IV

Post-World Politics: Rushern Baker IV’s Bold Abstractions are Fraught with Urgency and Anxiety

April 27, 2019

By Victoria L. Valentine, Culture Type

Untitled (View of Collapsed Columns from Cave), 2018, acrylic, paper, resin, and ceramic tile adhesive on canvas, 40" x 40"

Rushern Baker IV

Visions of Urgent Abstraction

April 22, 2019

Dexter Wimberly, Hyperallergic

Fire Man, 2019. Acrylic, paper, resin and ceramic tile adhesive on canvas. 48″ x 36″

Rushern Baker IV

Reviews - Rushern Baker IV: Post-World at HEMPHILL Fine Arts

April 22, 2019

Phil Hutinet, East City Art

ART TALKS

ART TALKS

Artist as Catalyst: Cultural Diplomacy in Niamey, Niger

March 28, 2019, 6:00pm

Join artists Tom Ashcraft and Max Hirshfeld and Art in Embassies Curator Sarah Tanguy to explore collaboration, cultural diplomacy and “Du Quotidien,” an in-progress commission for the new U.S. Embassy complex in Niamey, Niger.

Renée Stout

Renée Stout

The Phillips Collection has acquired three significant works by Renée Stout.

Renée Stout

Renée Stout

In the galleries: Renee Stout’s fiery visions draw inspiration from Jimi Hendrix

December 7, 2018

Mark Jenkins, The Washington Post

Julie Wolfe

Julie Wolfe

In the Viewing Room

December 1 - 21, 2018

For a limited time, a curated selection of new paintings, drawings, book pages and prints by Julie Wolfe will be installed in the gallery's viewing room. Email us at gallery@hemphillfinearts.com to schedule an appointment. 

Renée Stout

Renée Stout

At Hemphill Fine Arts, A Peek Into the Cosmic Universe of Renée Stout

November 20, 2018

Kriston Capps, Washington City Paper

ART TALKS

ART TALKS

Renée Stout in Conversation with Henry Thaggert

November 28, 2018, 6:30pm

On the occasion of her exhibition "When 6 is 9: Visions of a Parallel Universe" Renée Stout engages in conversation with art collector and patron, Henry Thaggert. 

Renée Stout

Renée Stout

Renee Stout Explains the How and Hoodoo in When 6 is 9, Her Newest Solo Show at Hemphill Fine Arts

October 9, 2018

Lyric Prince, Sugarcane Magazine

CMD + F

CMD + F

Hemphill Fine Arts' Latest Exhibition Might Contain the Best New Local Artwork of the Year

August 3, 2018

Kriston Capps, Washington City Paper

CMD + F

CMD + F

East City Arts Reviews: CMD + F at Hemphill Fine Arts

July 30, 2018

Claudia Rousseau, PhD, East City Art

CMD + F

CMD + F

In the galleries: Three local artists explore the transient nature of identity

July 27, 2018

Mark Jenkins, The Washington Post

 

 

Open Position: Gallery Preparator/ Art Handler

Renée Stout and Julie Wolfe at the Visual Arts Center of New Jersey

Renée Stout and Julie Wolfe at the Visual Arts Center of New Jersey

Hand-Copying the Constitution and Other Responses to Trump

July 6, 2018

Thomas Micchelli, Hyperallergic

MORE or LESS

MORE or LESS

June 4, 2018

Ashley Shah, East City Art

Hemphill challenges Hopps’ suggestion that the style was already past in the late 70s, and instead focuses on the evident continuum of Abstract Expressionism in today’s art landscape.

MORE or LESS

MORE or LESS

In the Galleries

June 2, 2018

Mark Jenkins, The Washington Post

MORE or LESS

MORE or LESS

The past, present and future of abstraction.

May 24, 2018

Kriston Capps, Washington City Paper

 

Julie Wolfe: Landview Effect

Julie Wolfe: Landview Effect

Print Viewing and Artist's Talk

Saturday, April 21 at 11:00am

Please join us for a viewing of Landview Effect, a new series of art books and print portfolios by Julie Wolfe, on Saturday, April 21 from 11:00am - 1:00pm. 

Steven Cushner & Willem de Looper

Steven Cushner & Willem de Looper

At Hemphill Fine Arts, Steven Cushner and Willem de Looper Put In The Work

March 14, 2018

John Anderson, Washington City Paper

The recent exhibitions at Hemphill Fine Art are about putting in the time. It is likely most people don’t consider artists as ones who punch clocks to produce work. This is an exhibition that dispels the myth that an artist must be moved by some unforeseen “inspiration” as the modus operandi behind how an abstract artwork gets made.

Steven Cushner & Willem de Looper

Steven Cushner & Willem de Looper

In the galleries: Zenith celebrates 40 years with two exhibitions in two spaces

March 9, 2018

Mark Jenkins, The Washington Post

Renée Stout

Renée Stout

Women's Caucus for Art Presents Lifetime Achievement Award to Renée Stout

February 23, 2018

We are pleased to announce that the Women's Caucus for Art (WCA) is presenting the 2018 Lifetime Achievement Award to Lee Bontecou, Lynn Hershman Leeson, Gloria Orenstein, and Renée Stout.

 

Linling Lu

Linling Lu

Art & Soul: Gallery to Cherish

December 1, 2017

Alice Cisterino and Michael McCarthy, DC Modern Luxury

"Whether it's a team of digital-art visionaries or a national showcase of Asian art, DC's art scene is as innovative and intellectually challenging as ever. Enjoy the wild ride this winter." 

Anne Rowland

Anne Rowland

In the galleries: Two photographers focus on the pastoral beauty of Arlington

November 22, 2017

Mark Jenkins, The Washington Post

Two of the area’s best art photographers have made striking vistas of the county’s suburban landscape.

Linling Lu

Linling Lu

With Her Latest Exhibition, Linling Lu Continues an Exploration of Circles and Colors

November 2, 2017

John Anderson, Washington City Paper

"Sure: We can compare her vibrating stripes to those of Davis. Yes: The circle recalls Noland. But neither of those artists were capable of capturing a deep space within their best known paintings."

Linling Lu

Linling Lu

Exuberant circles hark back to another era

November 2, 2017

Mark Jenkins, The Washington Post

"'Mysterious' and 'endless' are words that suit Lu’s pictures, which seem to offer an infinite variety of colors, widths and arrangements."

Linling Lu

Linling Lu

Circle of Life

October 23, 2017

Tina Coplan, Home & Design

Linling Lu bridges boundaries, from the Washington Color School to her own cultural heritage.

 

35 Days

35 Days

In the galleries: A colorful survey of Washington artists

July, 29, 2017

Mark Jenkins, The Washington Post

35 Days is "a museum-worthy survey of D.C. art."

35 Days

35 Days

35 Days

June 24, 2017

Stephanie Rudig, Washington City Paper

"This isn’t just a Color School roundup, however: The show includes artists deploying color to completely different ends, like the trippy pattern-based work of Hedieh Javanshir Ilchi, as well as some varying landscape photography artists like Anne Rowland and William Christenberry."

Jacob Kainen

Jacob Kainen

In the galleries: A personal look at a maker of monuments

June 1, 2017

Mark Jenkins, The Washington Post

"Even at their most geometric, the paintings in 'Jacob Kainen' have a beguiling softness."

James Huckenpahler: Desktop

James Huckenpahler: Desktop

In the galleries: Myths and respite at the American University museum

May 11, 2017

Mark Jenkins, The Washington Post

"With society’s essential structure called into question by the carnage of World War I, Dadaists began cutting and pasting at random. That project has been revived, 24/7, at 17th and L streets NW, where James Huckenpahler’s “Desktop” summons, overlaps and disperses words and pictures across two video screens."

Julie Wolfe: Quest for Third Paradise

Julie Wolfe: Quest for Third Paradise

In the galleries: Remapping the boundaries of drawing

March 3, 2017

Mark Jenkins, The Washington Post

"The third paradise the D.C. artist seeks is one in which nature, technology and humanity all flourish. She evokes this in pictures that suggest both organic and electronic systems, or by juxtaposing black-and-white photos with areas of pure color."

Julie Wolfe: Quest for Third Paradise

Julie Wolfe: Quest for Third Paradise

Abstracting the Data of the Natural World with Colorful Geometries

March 1, 2017

Claire Voon, Hyperallergic

"Julie Wolfe tries to make sense of the natural world by gathering and categorizing all kinds of sights and objects that offer no scientific information but inspire search for meaning, like puzzles."

Early Alma Thomas and Downing, Mehring, Reed

Early Alma Thomas and Downing, Mehring, Reed

At Hemphill Fine Arts, a Survey of Washington Color School's Lesser-Known Stars

February 17, 2017

Kriston Capps, Washington City Paper

"It's a Washington Color School resurgence with new exhibitions featuring the work of Thomas Downing, Howard Mehring, Paul Reed, and Alma Thomas."

Early Alma Thomas, and Downing, Mehring, Reed

Early Alma Thomas, and Downing, Mehring, Reed

Enter a universe of dappled color in Howard Mehring show at AU museum

February 9, 2017

Mark Jenkins, The Washington Post

"The Washington Color School is still much discussed in the D.C. art world — some might say too much so — and the artists are enjoying a posthumous commercial boom at galleries here and elsewhere."

Hedieh Javanshir Ilchi

Hedieh Javanshir Ilchi

The Monocle rounds up the art scene in Washington with a trip to Hemphill Fine Arts, The National Portrait Gallery and the National Museum of African American History and Culture.

January 16, 2017

Kathlene Fox-Davies, The Monocle Arts Review

Everything became nearness and all the nearness turned to stone.

Everything became nearness and all the nearness turned to stone.

An Iranian-American Artist’s Unfinished Abstractions

December 29, 2016

Kriston Capps, Hyperallergic

"Everything became nearness and all the nearness turned to stone, the lyrical title for Ilchi’s first show at Hemphill Fine Arts, is full of graphical contradictions and circular motions."

Everything became nearness and all the nearness turned to stone.

Everything became nearness and all the nearness turned to stone.

Hedieh Javanshir Ilchi at Hemphill Fine Arts, Washington DC

December 15, 2016

Isabella Mason, Blouin Artinfo

"The exhibition marks the debut of Iranian artist Hedieh Javanshir Ilchi at the gallery, with her works which majorly reflect an interest in the fusion of visual conventions of Western abstraction and Persian Art, evoking allegories of intrusion and invasion, that moves beyond the personal and take references of historical and contemporary socio-political conflicts."

Everything became nearness and all the nearness turned to stone.

Everything became nearness and all the nearness turned to stone.

In the galleries: A ‘Homage to Hillary’ is repurposed

December 15, 2016

Mark Jenkins, The Washington Post

"Rivulets of abstract color, often vivid blues and greens, are punctuated by precise imagery in Hedieh Javanshir Ilchi’s painting and mixed-media work."

Everything became nearness and all the nearness turned to stone.

Everything became nearness and all the nearness turned to stone.

At Hemphill Fine Arts, Hedieh Javanshir Ilchi's Paintings Consume and Awe

December 2, 2016

Erin Devine, Washington City Paper

"The paintings of Hedieh Javanshir Ilchi immediately materialize before the viewer as something fresh and consuming."

Everything became nearness and all the nearness turned to stone.

Everything became nearness and all the nearness turned to stone.

Vision Quest: Young talent Hedieh Javanshir Ilchi sets DC's art scene ablaze with fiery abstractions

November 2016

Holly Mazar-Fox, DC Modern Luxury

"Seeking inspiration from the rich traditions of both Eastern and Western art practices, Javanshir Ilchi's alluring work speaks to her soul as an artist and her creative genius as weaving complex concepts together with visual fluidly." 

Elizabeth Catlett & Benny Andrews

Elizabeth Catlett & Benny Andrews

With the Smithsonian African American Museum Set to Open in Washington, the Entire City is Brimming with Black Art

September 20, 2016

Victoria L. Valentine, Culture Type

"Whether you were lucky enough to get an early preview or you are awaiting the appointed day when your timed pass will allow you to gain entry into the nation’s much-anticipated African American museum, to complement your experience, there are more than 10 African American art exhibitions in Washington worth visiting now and in the weeks and months to come."

Shoreline

Shoreline

At Carroll Square Gallery, Photographers Document Littoral Harbingers of Doom

September 19, 2016

Louis Jacobson, Washington City Paper

"A photography exhibit about a politically contentious topic can easily turn into agitprop. But thanks to careful curation and wise use of the medium, Carroll Square Gallery’s exhibit about climate change serves as an understated and eloquent meditation on its subject."

Toki: Syth Series 005: Reverb

Toki: Syth Series 005: Reverb

In the galleries: From destruction, a call for transformation

August 19, 2016

Mark Jenkins, The Washington Post

"Rainbow fiber bridges have been erected at Hemphill Fine Art’s storefront location at 1700 L St. NW, but they divide rather than connect."

Pathways

Pathways

In the galleries: Lines are clearly drawn in ‘Art as Politics’

August 13, 2016

Mark Jenkins, The Washington Post

"There are only four pieces in Carroll Square Gallery’s 'Pathways,' but each suggests a passage that stretches beyond the room. The three artists also use outlines and gestures in ways that suggest built (or buildable) forms."

Jacob Kainen, Thomas Nozkowski, Sean Scully

Jacob Kainen, Thomas Nozkowski, Sean Scully

In the galleries

August 4, 2016

Mark Jenkins, The Washington Post

"The deft juxtaposition of soft-edged color and hard-edged form links the artists in Hemphill Fine Art’s 'Kainen, Scully, Nozkowski.'"

Julie Wolfe: Language of the Birds

Julie Wolfe: Language of the Birds

'Julie Wolfe: Language of the Birds' at Hemphill Fine Arts, Reviewed

May 19, 2016

Kriston Capps, Washington City Paper

"As a painter, Julie Wolfe doesn’t rely on any single visual system. Light and color are abundant in “Language of the Birds,” Wolfe’s solo show at Hemphill Fine Arts, her third, but those qualities are sometimes all that carries over from one work to the next. If Wolfe were a bird, she would be a hummingbird, moving from flower to flower in a way that looks frenetic but betrays precision."

Rockne Krebs: The Smoke Drawings

Rockne Krebs: The Smoke Drawings

In the galleries

April 22, 2016

Mark Jenkins, The Washington Post

"They’re most evocative of Krebs’s larger project: to make something lasting out of the most transient materials."

PLAKOOKEE: Cosmic Modules

PLAKOOKEE: Cosmic Modules

PLAKOOKEE: Rachel Debuque and Justin Plakas

April 11, 2016

Paul Shortt, Bmore Art

"We want our work to be fun and colorful and while the space can be viewed all day long it really comes into it’s own at night. The light and the color jumps out into the street and mixes with everything else happening in that part of town."

Rockne Krebs: The Smoke Drawings

Rockne Krebs: The Smoke Drawings

"Rockne Krebs: The Smoke Drawings" at Hemphill Fine Arts, Reviewed

April 1, 2016

Kriston Capps, Washington City Paper

"More of a set of experiments than a fully articulated series, “The Smoke Drawings” comprises untitled paper works that the artist made using airbrush and candle smoke."

Rockne Krebs: The Smoke Drawings

Rockne Krebs: The Smoke Drawings

Hemphill Fine Arts Rockne Krebs: The Smoke Drawings Reviewed

March 29, 2016

Claudia Rousseau, Ph.D., East City Art

"In 1972 Krebs won a Guggenheim Foundation grant to pursue his experimental light works. However the grant allowed him time to create a series of works on paper that aimed at expressing the atmospheric and ephemeral qualities of his light works. These are the Smoke Drawings now on exhibit."

Colby Caldwell: how to survive your own death

Colby Caldwell: how to survive your own death

One corrupt file = A colorful, brilliant exhibition

March 14, 2016

Bronwen Latimer, The Washington Post

"These are photographs, Caldwell insists, because they have all the elements of a modern photograph: light, time, a capturing tool, and a subject."

Renée Stout: Tales of the Conjure Woman

Renée Stout: Tales of the Conjure Woman

Local Artist Conjures Distant Cultures To Examine Human Condition

March 1, 2016

Kate Oczypok, The Washington Diplomat

"The show includes intriguing, ethereal objects and tools of the trade for a high priestess."

Colby Caldwell: how to survive your own death

Colby Caldwell: how to survive your own death

Digital Photography + Phantom Practices: Colby Caldwell Photo+Craft

March 1, 2016

Ali McGhee, Asheville Grit

"Colby Caldwell has been thinking about the place of the digital in photography for a long time. His most recent show, How to Survive Your Own Death, is currently up at Washington, D.C.'s Hemphill Gallery, and much of it revolves around one corrupt PICT file that Caldwell has been exploring for years."

PLAKOOKEE: Cosmic Modules

PLAKOOKEE: Cosmic Modules

"Cosmic Modules: Rachel Debuque & Justin Plakas as PLAKOOKEE" at Hemphill Fine Arts, Reviewed

February 26, 2016

Margaret Carrigan, Washington City Paper
 
"Drawn from the kitschy extraterrestrial realms of sci-fi B-movies, the installation features small-scale neon landscapes by D.C.-based artists Rachel Debuque and Justin Plakas, who make up PLAKOOKEE."
Renée Stout: Tales of the Conjure Woman

Renée Stout: Tales of the Conjure Woman

Women’s artwork is never done

February 25, 2016

Mark Jenkins, The Washington Post

"Although Stout’s African heritage is central to her artistic vision, 'Tales of the Conjure Woman' also invokes the power of women’s traditional roles: maker, healer, counselor, seductress."

Colby Caldwell

Colby Caldwell

In the galleries: A photographer’s accident yielded artistic results

February 19, 2016

Mark Jenkins, The Washington Post

"Separating the large and small galleries at Hemphill Fine Arts is a room so tiny that it might be better called a niche. Sometimes it’s empty, but at the moment it holds a small 1999 print titled 'How to Survive Your Own Death (Whole).' Colby Caldwell made this array of random pixels, but not on purpose. It was an accident — one he has been exploiting for almost two decades."

Renée Stout: Tales of the Conjure Woman

Renée Stout: Tales of the Conjure Woman

'Reneé Stout: Tales of the Conjure Woman' at the American University Museum, Reviewed

February 12, 2016

Kriston Capps, Washington City Paper

"'Tales of the Conjure Woman,' a sprawling survey of new work by the artist, marries the rootworker’s art with modernism."

Colby Caldwell: how to survive your own death

Colby Caldwell: how to survive your own death

"Colby Caldwell: how to survive your own death" at Hemphill Fine Arts, Reviewed

01/29/2016

Kriston Capps, Washington City Paper

"The exhibit is split between Caldwell’s surveys—prints from his dives into the abstract depths of corrupted digital interference—alongside more traditional still-life photos. Together, these series tease out what it means to construct photos. One series is no more natural than the other."

Renée Stout: Wild World

Renée Stout: Wild World

In the galleries: D.C. artist summons the supernatural in the everyday

December 11, 2015

Mark Jenkins, The Washington Post

"The lights are low at Hemphill Fine Arts, as if in preparation for a seance. What sort of creature Renee Stout’s eerie 'Wild World' might summon from the darkness, though, is impossible to predict."

Julie Wolfe: GREEN ROOM

Julie Wolfe: GREEN ROOM

Artist’s colorful ‘science project’ is a commentary on world’s water supply

December 2, 2015

Mark Jenkins, The Washington Post

"Housed in some 500 glass bottles stacked on metal shelves, the water, sediment and vegetation samples on display in the window of 1700 L St. NW look like a science project. But the contents of the jars, illuminated from behind, also glow with vivid reds, purples and blues, resembling a color-field painting that has been disassembled and liquefied."

this is light

this is light

In the galleries

November 13, 2015

Mark Jenkins, The Washington Post

"Neon tubes or LEDs illuminate most of the work in Carroll Square Gallery’s 'This Is Light,' a show of four East Coast artists, but the most intriguing piece features an old-fashioned slide projector."

William Christenberry

William Christenberry

William Christenberry

October 22, 2015

Anne Reeve, Art in America

this is light

this is light

Reviewed: 'This Is Light' at Carroll Square Gallery

October 5, 2015

Louis Jacobson, Washington City Paper

Louis Jacobson addresses each work by artists Lisa Dillin, Esther Ruiz, Pamela Gwaltney, and Tommy Bobo featured in this is light

Renée Stout: Wild World

Renée Stout: Wild World

"Renée Stout: Wild World" at Hemphill Fine Arts

October 2, 2015

Kriston Capps, Washington City Paper

"'Wild World,' the artist’s fifth solo show at Hemphill, envisions a steampunk universe that—bear with me—has nothing to do with Jules Verne, H.G. Wells, polished brass, or even Europe for that matter. Stout’s found a portal to a place that blends hoodoo and Santería with gadgets and gizmos.

Workingman Collective: SATELLITE

Workingman Collective: SATELLITE

‘Satellite,’ an artistic homage to a relic of a restless age

July 16, 2015

Mark Jenkins, The Washington Post

"The local collaborative-art group, whose core members are Tom Ashcraft and Peter Winant, began constructing an oversize wooden model of Intelsat I in April. The sculpture will be on display in a vacant storefront at 17th and L streets NW until the end of the month, when it will literally disappear. Because the doors are too small to accommodate the mock satellite, the artists must disassemble it to remove it."

William Christenberry

William Christenberry

William Christenberry at Hemphill Fine Arts, Reviewed

July 3, 2015

Kriston Capps, Washington City Paper

"Grace and rot are twinned in Christenberry’s photos."

William Christenberry

William Christenberry

Artist Spotlight: William Christenberry

June 21, 2015

Clarissa Wittenberg, District Journal

"This is not really an art review; this is a reverence, an adoration."

William Christenberry

William Christenberry

William Christenberry at Hemphill

June 12, 2015

Caroline Jones, Washington City Paper

"In his latest show at Hemphill, viewers will be able to see the South as its cities have evolved from quiet streets dotted with retro cars to major urban centers over the course of Christenberry’s career."

William Christenberry

William Christenberry

After a lifetime of capturing what was, Christenberry faces what is

June 11, 2015

Neely Tucker, The Washington Post

"The show features 26 pieces, from his iconic large-format photographs of fading Southern buildings to the smaller snapshots made with his legendary Kodak Brownie."

Alma Thomas: Thirteen Studies for Paintings

Alma Thomas: Thirteen Studies for Paintings

Alma Thomas is Given Pride of Place at the White House

April 17, 2015

Victoria L. Valentine, Culture Type

"The instantly recognizable work of Alma W. Thomas (1891-1978) graces the Old Family Dining Room at the White House." 

Linear Function

Linear Function

In the galleries: Line and function intersect

April 10, 2015

Mark Jenkins, The Washington Post

"The work in 'Linear Function,' a three-artist show at Carroll Square Gallery, is stronger on line than functionality."

Willem de Looper: Stained Paintings: 1964-1970

Willem de Looper: Stained Paintings: 1964-1970

In the galleries: A painter’s progress revealed

February 27, 2015

Mark Jenkins, The Washington Post

"The Hemphill Fine Arts show starts with two tentative works from 1964: The Dutch-bred D.C. painter (and onetime Phillips Collection curator) sketched acrylic pigment on the raw canvas for which Washington Color School innovators Morris Louis and Kenneth Noland were known. By 1967, de Looper was filling the frame, at least in the works on paper included here."

Steven Cushner

Steven Cushner

A painter steps back to look at the big picture

December 12, 2014

Maura Judkis, The Washington Post

"'I wanted to do a painting that I didn’t know how to do,' he says. He didn’t know how to paint big."

PHOTO/DIARY

PHOTO/DIARY

In the galleries

November 14, 2014

Mark Jenkins, The Washington Post

"Photos don’t merely document the world; they become part of it."

Alma Thomas: Thirteen Studies for Paintings

Alma Thomas: Thirteen Studies for Paintings

Piece of Work: Alma Thomas' "Untitled" at Hemphill Fine Arts

October 30, 2014

John Anderson, The Washington Post

"From a distance, the work appears to be nothing more than a sequence of paint splotches, varied in hue, in only a couple of discrete widths, arranged into haphazard columns across the paper: It’s Gene Davis meets Clyfford Still distilled into overgrown patches of color, like Seurat stipples on an American (read: McDonalds) diet."

Selections from the Dolly Langdon and Aldus H. Chapin Collection

Selections from the Dolly Langdon and Aldus H. Chapin Collection

In the Galleries: A Washington Color School reunion

July 12, 2014

Mark Jenkins, The Washington Post

"Made between 1958 and 1986, these 19 works constitute an impressive sampler of Washington color painting, although they include one by an artist who never lived in the District, Karl Stanley Benjamin, and one by a representational artist, Michael Clark (whose 'Lincoln Memorial' features bars of luminous color)."

Martin Kotler: Cityscapes

Martin Kotler: Cityscapes

Cityscapes: A Visit to Hemphill Gallery

June 2014

Dana Lehmer, American Society of Interior Designers Washington Metro

"Martin's landscapes of Washington, DC define the enigma of our ever-changing panorama. I encourage you to take the time to see Washington through this lens."

Martin Kotler: Cityscapes

Martin Kotler: Cityscapes

Galleries: ‘Cityscapes'

May 16, 2014

Mark Jenkins, The Washington Post

"The artist depicts everyday aspects of the city where he has worked for more than three decades, so more dramatic angles would be unseemly."

Real Beauty

Real Beauty

Genius or Gobbledygook? “Real Beauty” at Carroll Square Gallery

May 13, 2014

Louis Jacobson, Washington City Paper

"If you’re looking to reconcile representation and abstraction, as the exhibit appears to want to do, then Bisson’s bravura canvas is about as appropriate a bridge as can be imagined."

Paper Paradox: Material and Meaning

Paper Paradox: Material and Meaning

In the galleries

April 11, 2014

Mark Jenkins, The Washington Post

"Everything you need to know may be digitized these days, yet paper and books have a tactile appeal that can’t be replaced."

Marley Dawson: Statics and Dynamics

Marley Dawson: Statics and Dynamics

Galleries: Marley Dawson

February 28, 2014

Mark Jenkins, The Washington Post

"What’s left for viewers who weren’t present for the big bang? In the case of Marley Dawson, the forensic evidence is a series of smudgy black circles or arcs burned into the white walls of Hemphill."

Paper Paradox: Material and Meaning

Paper Paradox: Material and Meaning

Reviewed: "Paper Paradox" at Carroll Square Gallery

February 10, 2014

Louis Jacobson, Washington City Paper

"The material for this exhibit is no Dunder-Mifflin overstock product; when the paper in “Paper Paradox” is handmade, even “flat” isn’t flat."

Marley Dawson: Statics and Dynamics

Marley Dawson: Statics and Dynamics

"Marley Dawson: Statics and Dynamics" at Hemphill, Reviewed

January 31, 2014

Louis Jacobson, Washington City Paper

"The fact that the 5-billion-year clock has been invented—and is doomed to obsolescence—makes it easy to see why Dawson, an Australian, seems so drawn to old-fashioned machines that are crafted by hand and designed to be experienced, even doted on, by the user."

REPRESENT

REPRESENT

At Hemphill Fine Arts, a retrospective show that's bigger than the gallery

November 15, 2013

Mark Jenkins, The Washington Post

"Several mini-shows nestle within “Represent,” Hemphill Fine Arts’s 20th-anniversary exhibition."

Raising Dust

Raising Dust

D.C. gallery shows: Carroll Square

August 10, 2013

Mark Jenkins, The Washington Post

"The five artists in 'Raising Dust,' at Carroll Square Gallery, all work with earth."

Artist-Citizen, Washington, DC

Artist-Citizen, Washington, DC

A quartet of gallery summer group shows

July 12, 2013

Mark Jenkins, The Washington Post

"If the personal is political, these grandiose, dysfunctional structures are calling artist-citizens to take to the streets (or, more likely, cul-de-sacs)."

Artist-Citizen, Washington, DC

Artist-Citizen, Washington, DC

"Artist-Citizen" at Hemphill, Reviewed

June 14, 2013

Matthew Smith, Washington City Paper

"The show focuses on artistic civic engagement—artists that are out of their studios and walking the streets. Mostly culled from the gallery’s stable of artists, 'Artist-Citizen' presents works that speak through the city itself."

Julie Wolfe: Rewilding

Julie Wolfe: Rewilding

Galleries: Julie Wolfe

May 10, 2013

Mark Jenkins, The Washington Post

"For millennia, pigments were derived directly from plants, metals and gems. More recently, synthetic dyes were developed, and human-made contaminants began discoloring the natural world. These are among the motifs of 'Rewilding,' Julie Wolfe’s show at Hemphill Fine Arts."

 

Julie Wolfe: Rewilding

Julie Wolfe: Rewilding

"Rewilding," Reviewed

April 5, 2013

Kriston Capps, Washington City Paper

"'Rewilding,' a solo show by Julie Wolfe at Hemphill Fine Arts, gestures at an ambivalent state between nature and civilization: reclamation, either in terms of preservation or, perhaps, something darker and more apocalyptic.

Julie Wolfe: Rewilding

Julie Wolfe: Rewilding

Gallery opening of the week: ‘Julie Wolfe: Rewilding’

March 21, 2013

Michael O'Sullivan, The Washington Post

"With this title, the Washington-based painter of nature-themed abstraction questions our disconnection with nature, inviting us to reevaluate our place in it."

Steven Cushner: The Shaped Paintings, 1991-1993

Steven Cushner: The Shaped Paintings, 1991-1993

‘Journeys’ to the intersection of mind and matter

January 31, 2013

Mark Jenkins, The Washington Post

"This year marks the 20th anniversary of George Hemphill’s gallery, Hemphill Fine Arts. And it’s been two decades since Steven Cushner stopped making rounded-edge canvases. Those two histories overlap in 'Steven Cushner: The Shaped Paintings, 1991-1993,' a Hemphill show that doesn’t seem backward-gazing."

Steven Cushner: The Shaped Paintings, 1991-1993

Steven Cushner: The Shaped Paintings, 1991-1993

Steven Cushner at Hemphill Fine Arts

January 11, 2013

Kriston Capps, Washington City Paper

"Twenty years later, Cushner’s work still needs time—but then, his paintings have always demanded first, second, and third looks from viewers."

Steven Cushner: The Shaped Paintings, 1991-1993

Steven Cushner: The Shaped Paintings, 1991-1993

Interview with Steven Cushner by Cara Ober, with an Introduction by Dan Treado

January 10, 2013

Cara Ober, Bmore Art

"Examining the images for this exhibit I am struck by how au courant these twenty-year-old paintings feel, in an age where droves of young, Stockholder-influenced painters break the flat cube in all manner of ways."

Linling Lu: Lilac

Linling Lu: Lilac

Gallery exhibits feature lots of abstract ideas

December 13, 2012

Mark Jenkins, The Washington Post

"However the paintings are organized, their most impressive aspects are their purity and precision."

Linling Lu: Lilac

Linling Lu: Lilac

“Linling Lu: Lilac” at Hemphill, reviewed

November 16, 2012

Kriston Capps, Washington City Paper

"Washington has for too long grappled with the legacy of the city’s brief moment in the art world’s spotlight; why shouldn’t a recently arrived painter from Guizhou Province, China?"

William Christenberry: Assembled Memory

William Christenberry: Assembled Memory

Galleries: William Christenberry’s Southern roots show in ‘Assembled Memory’

October 4, 2012

Mark Jenkins, The Washington Post

"William Christenberry has lived in Washington for more than 40 years, but he still regularly sifts the soil of his childhood home, rural Alabama. The South nurtures, inspires and probably terrifies him, as it has other noted artists and writers from the region."

William Christenberry: Assembled Memory

William Christenberry: Assembled Memory

Reviewed: William Christenberry at Hemphill Fine Arts

September 12, 2012

Louis Jacobson, Washington City Paper

"Models of humble buildings covered in a layer of creamy white? Got ‘em. Ridiculously rusted road signs? Yep. Detailed images of KKK hoods? They’re here, too."

William Willis: Keeping It Alive & Steven Cushner: Works on Paper

William Willis: Keeping It Alive & Steven Cushner: Works on Paper

Galleries: William Willis & Steven Cushner

July 12, 2012

Mark Jenkins, The Washington Post

"Either way, the two men’s art is quite compatible. Both employ muted yet complex palettes and simple, even primal, forms."

William Willis: Keeping It Alive

William Willis: Keeping It Alive

VItamin A: William Willis' "Still Life With Grey"

June 21, 2012

John Anderson, Washington City Paper

"The large, jagged forms and muted, achromatic palettes of William Willis' current exhibition at Hemphill Fine Arts are what can be expected from the 70-year-old artist."

Space is the Place

Space is the Place

Reviewed: Mariah Anne Johnson and John Watson at Carroll Square Gallery

May 15, 2012

Louis Jacobson, Washington City Paper

"One wonders if the conceit behind Carroll Square Gallery’s 'Space Is the Place' is meant half-jokingly."

Washington Realism

Washington Realism

Reviewed: “Washington Realism” at Carroll Square Gallery

April 2, 2012

Louis Jacobson, Washington City Paper

"'Washington Realism' bills itself, accurately, as an exhibit in which the artists ignore the 'glitz and glam' of Washington’s political culture."

Colby Caldwell: gun shy

Colby Caldwell: gun shy

Colby Caldwell fuses traditional and digital with his art

March 30, 2012

Danielle O'Steen, The Washington Post

"Caldwell’s subject matter, as it turns out, is only the vehicle for his greater dialogue with the history of his medium. He questions what fits into the definition of photography. Does a scanned object count? Must photographers use a camera? Must prints offer a certain truth, in the spirit of a documentary?"

Franz Jantzen: Ostinato

Franz Jantzen: Ostinato

Galleries: Franz Jantzen’s ‘Ostinato’ at Hemphill Fine Arts

March 1, 2012

Mark Jenkins, The Washington Post

"In the tradition of pre-digital photography, Jantzen sometimes considers ordinary things: a ragged storefront, a tree stump or his hand holding a book. But digital imagery, for Jantzen at least, leads to large and often architectural subjects."

Willem de Looper: Paintings 1968-72

Willem de Looper: Paintings 1968-72

Whirlwind tour through the District’s many painting exhibits

February 9, 2012

Mark Jenkins, The Washington Post

"By the late 1960s, he was employing the techniques pioneered by Morris Louis (who died in 1962), using multiple washes of thin acrylic pigment to produce rich tints and billowing forms. Louis called one of his series 'Veils,' and 'Purple Veil' is among the four large de Looper canvases in Hemphill Fine Arts’ 'Paintings 1968-72.'"

Franz Jantzen: Ostinato

Franz Jantzen: Ostinato

"Franz Jantzen: Ostinato" at Hemphill Fine Arts, Reviewed

February 3, 2012

Louis Jacobson, Washington City Paper

"Franz Jantzen's aerial rites."

Robin Rose: THE BIG PAYBACK

Robin Rose: THE BIG PAYBACK

"Robin Rose: The Big Payback," Reviewed

November 25, 2011

Kriston Capps, Washington City Paper

"The titles of his abstract paintings reference Jimi Hendrix, Tom Waits, John McLaughlin, and others, all of them gods of rock, jazz, soul, or their fusions. With the paintings themselves, however, Rose is working more angularly, summoning—to my mind, anyway—deliberate art-punk acts like Slint, Shellac, and Fugazi."

Robin Rose: THE BIG PAYBACK

Robin Rose: THE BIG PAYBACK

Galleries: ‘The Big Payback’

November 24, 2011

Mark Jenkins, The Washington Post

"Circa 1979, Washington’s artists and punk rockers were spending a lot of time at each other’s places."

Workingman Collective: Prospects and Provisions

Workingman Collective: Prospects and Provisions

Workingman Collective

November 1, 2011

Anne Reeve, Art in America

"The artworks on display (all 2011) are invitations."

KABAKOV: Ilya & Emilia Kabakov

KABAKOV: Ilya & Emilia Kabakov

Ukrainian-born artists Ilya and Emilia Kabakov like to think big

September 22, 2011

Mark Jenkins, The Washington Post

"The exhibition features pleasant drawings and simple messages, as well as a nook with a mattress where a child might curl up to nap, watched over by 3D illustrations mounted low on the wall."

Workingman Collective: Prospects and Provisions

Workingman Collective: Prospects and Provisions

Workingman Collective’s conceptual, outdoorsy art at Hemphill

July 7, 2011

Mark Jenkins, The Washington Post

"The congenial, if slightly odd, event was rendered a little stranger by its setting: an elegantly constructed cherry-wood picnic table with a built-in loop of elevated model-railroad track. A three-car G-scale train trundled a few feet above the lunchers’ heads, as Ashcraft and Winant discussed Heidegger, ideation, go-go music and a project they’re planning for Haitian orphanages."

Pattern: Three Generations of Shape and Color

Pattern: Three Generations of Shape and Color

Visual variations on a ‘Pattern’ at Carroll Square Gallery

June 30, 2011

Mark Jenkins, The Washington Post

"'Pattern' addresses the link between ’60s abstraction and its present-day descendants by placing a 1967 work at the show’s center."

Anne Rowland

Anne Rowland

With ‘Landscapes,’ Anne Rowland gives imperfection a close-up

April 28, 2011

Mark Jenkins, The Washington Post

"Working primarily in western Loudoun County, not far from her childhood home in Great Falls, Rowland began by photographing simple rural scenes."

Anne Rowland

Anne Rowland

Anne Rowland at Hemphill Fine Arts

April 22, 2011

John Anderson, Washington City Paper

"The only trouble with Anne Rowland’s exhibit at Hemphill is that you may find yourself fighting between looking at her images and looking at how they were made."

Viewing Rm.

Viewing Rm.

"Viewing Rm." at Hemphill Fine Arts

February 4, 2011

Louis Jacobson, Washington City Paper

"The exhibit is variegated, but like any good combine painting (and those are included too) it coheres pretty well despite itself, as giants like Robert Rauschenberg mix with such local figures as Joseph Mills, Mingering Mike and Colby Caldwell."

Viewing Rm.

Viewing Rm.

Familiar favorites: Once more, with feeling

January 28, 2011

Jessica Dawson, The Washington Post

"Here hang big, striking works by Tom Downing and Jacob Kainen. Here, too, are precious works on paper by Al Jensen and Alma Thomas. That Eugene Atget picture of the taxidermist's vitrine? I'll take it."

Renée Stout: The House of Chance and Mischief

Renée Stout: The House of Chance and Mischief

Renee Stout explores a dream in 'The House of Chance and Mischief'

October 14, 2010

Michael O'Sullivan, The Washington Post

"If it sounds like a straightforward, if slightly poetic, definition of the human subconscious, that's pretty much what it is. The architectural structure Stout refers to is a metaphor taken from an old, recurring dream of hers, in which the artist would find herself wandering through a familiar-looking house whose inner doors opened onto rooms she never knew existed."

Mary Early: Sculpture

Mary Early: Sculpture

Critics Pick: Mary Early

July, 2010

Kriston Capps, Artforum

"That Mary Early’s work qualifies as post-Minimalist is plain. By first building components and then balancing them against one another in roughly circular structures that have not been mapped out in advance, she largely allows early decisions in her process regarding the form of her pieces to dictate the final shapes of her assembled work."

Steve Cushner: New Paintings

Steve Cushner: New Paintings

Steven Cushner at Hemphill Fine Arts

April 23, 2010

Maura Judkis, Washington City Paper

"Unlike some of his predecessors, though, Cushner does not strive for flawlessness, and the drips and imperfections of his paintings make them more hospitable."

William Christenberry: Vintage Kodak Brownies

William Christenberry: Vintage Kodak Brownies

William Christenberry's Kodak Brownie snapshots capture reality of South

February 14, 2010

Blake Gopnik, The Washington Post

"In the photos at Hemphill, you can almost feel the moment when Christenberry, on yet another trip home, spots a church or a Coke sign or a car that interests him, squares it up in his Brownie and snaps a record of it."

William Christenberry: Vintage Kodak Brownies

William Christenberry: Vintage Kodak Brownies

William Christenberry at Hemphill Fine Arts

February 5, 2010

Louis Jacobson, Washington City Paper

"Is there any visual artist whose work is shown more often in Washington galleries than William Christenberry’s? Probably not, yet seeing his 13-image exhibit at Hemphill Fine Arts, one has to admit his work usually merits another look."

John Dreyfuss: Enigma

John Dreyfuss: Enigma

Galleries: Jessica Dawson on John Dreyfuss at Hemphill and Katzen Arts Center

September 25, 2009

Jessica Dawson, The Washington Post

"And so, thanks to Dreyfuss, the art world enters the theater of war."

John Dreyfuss: Enigma

John Dreyfuss: Enigma

John Dreyfuss' "Enigma" at the Katzen Arts Center

September 25, 2009

Maura Judkis, Washington City Paper

"John Dreyfuss’ latest installation, of a deconstructed submarine rising to the shallows, is deep."

Robin Rose: Cypher & Endeavor

Robin Rose: Cypher & Endeavor

Two Shows Reveal Different Sides of Robin Rose

April 24, 2009

Michael O'Sullivan, The Washington Post

"'Cypher' is sly proof that you can teach an old dog new -- and, in this case, fascinating -- tricks."

Robin Rose: Cypher

Robin Rose: Cypher

Robin Rose Exhibit: The Story Behind the Artist

April 24, 2009

Michael O'Sullivan, The Washington Post

"Robin Rose isn't just a painter. He's also a collector of modernist furniture, several examples of which appear throughout 'Robin Rose: Cypher': a dining room set, metal patio furniture, etc."

Mingering Mike: The Amazing Career of an Imaginary Soul Superstar

Mingering Mike: The Amazing Career of an Imaginary Soul Superstar

A Recording Artist, Making a Splash Without a Sound?

July 7, 2007

Jessica Dawson, The Washington Post

"'Mingering Mike' is the alias of a 56-year-old District man who, as a teen growing up in the late '60s and early '70s, imagined soul music stardom to the tune of 52 albums and twenty 45s. Each one of which he drew himself -- yes, drew -- in pen and ink on drugstore-bought construction paper. The records inside? Cardboard painted with grooves."