"In the galleries: Tracing a generational progression in abstract art"

"In the galleries: Tracing a generational progression in abstract art"

by Mark Jenkins, The Washington Post, March 7, 2021

The three solo shows at Hemphill Artworks don’t add up to an overview of the evolution of abstract painting, and aren’t meant to. Still, the progression from Leon Berkowitz’s luminous austerity to Steven Cushner’s totemic imagery to E.E. Ikeler’s mixed-media intricacy does demonstrate intriguing generational shifts. Over a half-century of this trio’s nonrepresentational art, things get funkier and funkier.

Leon Berkowitz, Exhibition — VIDEO

Leon Berkowitz, Exhibition — VIDEO

Created in conjunction with the Leon Berkowitz exhibition at HEMPHILL, this video features interviews with Mark Kelner and Robin Rose and an exclusive look at Leon Berkowitz, on view through March 20.

Artist: Leon Berkowitz
Copyright: HEMPHILL Artworks
Interviews: Interviews with Mark Kelner, Artist and Robin Rose, Artist by George Hemphill
Video Footage & Editing: Hannah Davis 
Music: Oleao Strut was composed by Steve Drews and was performed by Mother Mallard’s Portable Masterpiece Company from the album Like A Duck To Water
www.cuneiformrecords.bandcamp.com
Special Thanks to Steve Feigenbaum 
© Cuneiform Records

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35 Days

35 Days

35 Days

June 24, 2017

Stephanie Rudig, Washington City Paper

"This isn’t just a Color School roundup, however: The show includes artists deploying color to completely different ends, like the trippy pattern-based work of Hedieh Javanshir Ilchi, as well as some varying landscape photography artists like Anne Rowland and William Christenberry."

Selections from the Dolly Langdon and Aldus H. Chapin Collection

Selections from the Dolly Langdon and Aldus H. Chapin Collection

In the Galleries: A Washington Color School reunion

July 12, 2014

Mark Jenkins, The Washington Post

"Made between 1958 and 1986, these 19 works constitute an impressive sampler of Washington color painting, although they include one by an artist who never lived in the District, Karl Stanley Benjamin, and one by a representational artist, Michael Clark (whose 'Lincoln Memorial' features bars of luminous color)."